CD – THE LAGQ: INTERCHANGE, Concertos by Rodrigo and Assad

The Los Angeles Guitar Quartet, with David Amado and the Delaware Symphony Orchestra

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Seán Martinfield
Sentinel Editor and Publisher
Photo by Lynn Imanaka

INTERCHANGE marks the first concerto recording by the Grammy award winning LAGQ, and traces an arc from their instrument’s first concerto to its newest one: Joaquín Rodrigo’s Concierto Andaluz and Sergio Assad’s Interchange. Recorded in May 2009 at the historic Grand Opera House in Wilmington, DE, Interchange marks the Delaware Symphony’s debut recording.

“Without the tremendous dedication of David and the DSO, this project never would have been possible,” says LAGQ member Bill Kanengiser. “They worked hard to secure the funding for the recording, found rare ethnic percussion instruments to get just the right folkloric sounds called for in the score, and even had the city block off traffic near the hall to ensure a quiet studio environment!” The quartet – also comprised of guitar virtuosi John Dearman, Matthew Greif, and Scott Tennant – had an instant rapport with David Amado, sharing a love of Latin music, Spanish wine, and Italian espresso. Kanengiser continues, “We had a fantastic time working, playing, and drinking coffee with him!”

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JOAQUIN RODRIGO

LAGQ’s recording of Rodrigo’s Concierto Andaluz is a tribute to their mentors, Los Romeros, for whom the piece was written in 1965. One of the first concertos written expressly for guitar quartet, this quintessentially Spanish work has long been in LAGQ’s repertoire, and their relationship with its composer goes back to their student days. They performed in a master class for Rodrigo in 1982 at USC, and have played the Andaluz at venues including such as the Hollywood Bowl, on “Evening at Pops”, and at Rodrigo’s 100th birthday celebration at the Aranjuez Castle. They first performed it with David Amado and the Delaware Symphony in 2007.

Also featured on this project is a world-premiere recording of a major new work, Sergio Assad’s Interchange for Guitar Quartet and Orchestra. Sergio Assad is a member of the celebrated Assad Brothers duo, and long-time friend of LAGQ. He has written and arranged for artists like Yo-Yo Ma and Nadja Solerno Sonnenberg, and won a Latin GRAMMY® in 2008 for Best Classical Composition. Written by Assad specifically for the LAGQ, it was first performed at the UTSA Southwest Guitar Festival on February 6th, 2009.

Interchange represents my intentions of using traditional musical styles of the world blended as a whole organic unit, while at the same time suggesting a casual meeting of different people on an LA freeway,” Assad explains. “The titles [of the movements] all have a sort of ‘double meaning’ with the musical styles and references to roads and driving.”

The Brazilian composer – with more than 50 works for guitar to his credit – wrote each of the first four movements specifically for a member of LAGQ. He highlighted each player with a blend of musical styles – inspired by their individual personalities and tastes in music – ranging from Jewish, Spanish, Asian, contemporary jazz, and Brazilian and American blues influences. The concerto culminates in a final fifth movement, Crossings, which was which was partially inspired by the “Four Level Interchange” near downtown LA. Evoking the structure of the world’s first stack freeway interchange, it begins with an extended cadenza for the guitars that combines and interweaves themes of all four movements, culminating in a rousing orchestral finale.

Interchange grew out of my view of the LAGQ’s great ability to blend different musical styles into a unique and novel interpretation,” says Assad, who first met the quartet at USC in 1982 and whose Uarekena appears on their Grammy award winning Guitar Heroes recording (Telarc). “It was a long-held dream of mine to compose a substantial piece with orchestra for the LAGQ.”

Click on the photo to order these and other recordings by Los Angeles Guitar Quartet
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Popularly known as the LAGQ, these four virtuosi bring a new energy to the concert stage with their eclectic programs and dynamic musical interplay, and have become one of the most charismatic and versatile groups performing today Their inventive, critically-acclaimed transcriptions of concert masterworks provide a fresh look at the music of the past, while their interpretations of works from the contemporary and world-music realms continually break new ground. Their Telarc debut LAGQ: Latin received a 2002 Grammy nomination in the Best Classical Crossover Album category, and their release “LAGQ’s Guitar Heroes” won a 2005 Grammy Award. In addition to this concerto project and their many recitals worldwide, LAGQ is also touring a dramatic rendition of “The Ingenious Gentleman Don Quixote: Words and Music from the Time of Cervantes” which they have performed with Monty Python’s John Cleese and Firesign Theatre’s Phil Proctor.

The earliest ancestor of the Delaware Symphony Orchestra, the Tankopanicum Orchestra, was founded by Alfred I. du Pont. He took the name Tankopanicum from the Native American name for the Brandywine River. The small amateur orchestra was initially comprised of mill workers, a doctor, a machinist, a clerk, a millwright, a blacksmith, a contractor, laborers and several of du Pont’s relatives. Today the Delaware Symphony is the state’s pre-eminent performing arts organization. It performs a seven-program Classical Series and a three-program pops series called DSO Plugged In at the Grand Opera House, as well as a Champagne Chamber Series at the Hotel du Pont. Its concerts are heard regularly on WHYY. The Delaware Symphony Orchestra is devoted to bringing music to Delaware’s children. Each year more than 11,000 students are treated to in-school ensembles, youth concerts, soloist competitions, family concerts and discounted concert tickets.

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The LAGQ

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Seán Martinfield
Sentinel Editor and Publisher
Seán Martinfield, who also serves as Fine Arts Critic, is a native San Franciscan. He is a Theatre Arts Graduate from San Francisco State University, a professional singer, and well-known private vocal coach to Bay Area actors and singers of all ages and persuasions. His clients have appeared in Broadway National Tours including Wicked, Aïda, Miss Saigon, Rent, Bye Bye Birdie, in theatres and cabarets throughout the Bay Area, and are regularly featured in major City events including Diva Fest, Gay Pride, and Halloween In The Castro. As an Internet consultant in vocal development and audition preparation he has published thousands of responses to those seeking his advice concerning singing techniques, professional and academic auditions, and careers in the Performing Arts. Mr. Martinfield’s Broadway clients have all profited from his vocal methodology, “The Belter’s Method”, which is being prepared for publication. If you want answers about your vocal technique, post him a question on AllExperts.com. If you would like to build up your vocal performance chops and participate in the Bay Area’s rich theatrical scene, e-mail him at: sean.martinfield@comcast.net.


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