Featuring the world premiere of Two If By Sea by Kimi Okada; Triangulating Euclid, the critically acclaimed collaboration between Brenda Way, KT Nelson and Kate Weare; and The Light Has Not the Arms to Carry Us, a three-part work by Kate Weare
August 2-3, 2013, 8pm ODC Theater
3153 Seventeenth Street, San Francisco
Tickets: $30-$45, 415.863.9834
ODC/Dance, San Francisco’s internationally acclaimed contemporary dance company, presents its popular annual summer event, Summer Sampler, August 2-3, 2013. The three works on this summer’s program include Triangulating Euclid, the 2013 collaboration between Brenda Way, KT Nelson and New York-based choreographer Kate Weare; Two if By Sea, a world premiere duet by ODC Associate Choreographer Kimi Okada; and Weare’s celebrated work, The Light Has Not the Arms to Carry Us.
Summer Sampler also marks the retirement of ODC dancer Vanessa Thiessen, who joined ODC in 2008.
Thiessen is featured in the world premiere of Okada’s Two If By Sea, a duet with dancer Jeremy Smith, that explores the mystery of signs a couple uses to communicate, as intimates and as compatriots signaling to an outside world. Using code languages as diverse as base coaching, semaphore signals and aural transmissions, this rhythmic, physical work unveils the power of hidden or overt signals in our lives.
Triangulating Euclid, the 2013 work by Way, Nelson and Weare, was inspired by a rare original edition of Euclid’s Elements, one of the most influential works in the history of mathematics. This highly physical and emotive piece was celebrated as “beautifully enigmatic” (Huffington Post) and “an exuberant celebration of the way dancers inscribe themselves into space” (San Francisco Bay Guardian) and premiered to sold-out audiences at ODC/Dance Downtown earlier this year. The first-ever collaboration between Way, Nelson and Weare, and the beginning of bi-coastal collaboration between the three artists, Triangulating Euclid provided the choreographers an opportunity to disrupt their processes and explore new artistic territory.
ODC partners with Weare once again when the ODC dancers perform The Light Has Not the Arms to Carry Us. An abstract exploration into primitive states, The Light Has Not The Arms To Carry Us delves into abasement, wariness, sensuality and tenderness.
Summer Sampler is an intimate event designed to clear the summer fog and satisfy your appetite for art. Choreographers Way, Nelson and Okada will also be on hand after the performances to shed some light on the dancing in a talkback session with the audience.
ODC is known throughout the world for its athleticism, passion and intellectual depth. Among the many awards ODC’s three resident choreographers–Brenda Way, KT Nelson and Kimi Okada–have received are a Guggenheim, six Isadora Duncan Dance Awards — including two lifetime achievement awards — a San Francisco Examiner Golden Slipper Award, and a Tony nomination. Brenda Way was selected as the first choreographer to serve as Resident of the Arts at the American Academy in Rome for 2009/10 and recently received a prestigious leadership award from the San Francisco Foundation. ODC has been hailed as “Best Dance Company” in the San Francisco Bay Guardian’s Best of the Bay 2002, 2005, 2006, 2009 and 2012 editions. In 2009 ODC was selected by BAM as one of three dance companies to tour internationally under the aegis of the U.S. State Department’s inaugural DanceMotion USA tour.
Founded in 1971 by Artistic Director Brenda Way, ODC (Oberlin Dance Collective, named after its place of origin, Oberlin College in Ohio) loaded up a yellow school bus and relocated to San Francisco in 1976. Her goal was to ground the company in a dynamic, pluralistic setting. ODC was the first modern dance company in America to build its own home facility in 1979, from which it operates a school, a theater, a gallery, and a health clinic for dancers. In September 2005, under Way’s leadership, ODC opened a second performing arts facility, the ODC Dance Commons. And in the fall of 2010 ODC unveiled its newly renovated and expanded Theater. Through its dozens of programs ODC strives to inspire audiences, cultivate artists, engage community, and foster diversity and inclusion through dance performance, training, and mentorship.
Comments are closed.