POP-UP LUNCH BREAK – This Friday at SF Museum of Modern Art


sean-martinfield-18-august-2011

Sean Martinfield
Sentinel Editor and Publisher
Photo by Lynn Imanaka

On Friday, January 6th, the San Francisco Museum of Modern Art (SFMOMA) will transform into a neighborhood lunch break room to celebrate the final weeks of Sharon Lockhart: Lunch Break, an exhibition that contemplates workers’ activities during their lunch breaks through film, photography, and writing. From 11:30 a.m. until 1:30 p.m. in The Schwab Room on the ground level, just off the museum’s Haas Atrium, Rice Paper Scissors—a Vietnamese pop-up café that has taken over warehouses and alleyways and energized the local dining scene—will join SFMOMA mainstays Blue Bottle Coffee Co. and Caffè Museo in selling special menus inspired by the exhibition. Throughout the event, Sharon Lockhart will participate via Skype, and contributors to the Lunch Break Times will be inviting visitors to discuss their various lunch break traditions and stories.

sharon-lockhart-lunch-break-still-2008
LUNCH BREAK – still, 2008. Sharon Lockhart

To create Lunch Break, the artist spent a year observing and engaging with blue-collar workers during their daily routines at Bath Iron Works, a naval shipyard in Bath, Maine. This allowed Lockhart to shed her outsider status and establish a level of intimacy and comfort with the workers. As the artist explains, “In all of my projects, I work hard to make the participants partners, so that the exchange is a personal one.” Lunch Break did not materialize without a struggle, however. Lockhart’s first attempts to enter the historic shipyard—the largest private employer in the state and owned by General Dynamics, the world’s fifth-largest defense contractor—were repeatedly rejected by the company. But, after spending time in Bath, she secured a meeting with the local union, which supported her work and successfully lobbied for her access to the factory.

Sharon Lockhart: Lunch Break, continues at SFMOMA through January 16th. This latest body of work by Sharon Lockhart, organized by Sabine Eckmann from the Mildred Lane Kemper Art Museum, St. Louis, and overseen at SFMOMA by Curator of Media Arts Rudolf Frieling, will include a large-scale film installation, selected photographs, and a Bay Area edition of the artist’s free take-away newspaper, the Lunch Break Times. Through film, photography, and the print medium, Lockhart reflects on the presence of the individual in the context of industrial labor.

The film depicts the activities of the workers during their midday break at the shipyard. Extending ten minutes of footage into eighty minutes, Lockhart’s camera passes through a long corridor of the factory in extreme slow motion, tracking 1,200 feet of the hallway without panning, zooming, editing, or changing in tempo. The factory workers conduct their normal lunch break routines, some reading, some taking a nap, some in groups and others alone, talking, eating, drinking, and listening to the radio. The depicted space in Lockhart’s film is echoed in the architecture of the gallery installation at SFMOMA, a viewing space designed by Frank Escher and Ravi GuneWardena, and enhanced by a composition of industrial sounds collected from the factory space by filmmaker James Benning and composer Becky Allen.

“The extremely decelerated movement and the swelling soundtrack create anticipation for what is to come, while also establishing a sense of pause that allows the viewer to experience the film more like a photograph or tableau vivant,” Frieling says. “In Lunch Break we can examine details that would be too quickly passed over at the regular speed of film. The viewer’s attention and perception are constantly at work.”

The contemplation of the workers’ activities during their time off from production brings into view an everyday situation that foregrounds the presence of the individual. In contrast, the related photographic series emphasizes the actuality of individual objects, routines, and spaces: stickers on a lunchbox or the makeshift booths where workers sell snacks and various items.

Yet while Lunch Break focuses on day-to-day details, it reflects a much larger contemporary political and economic reality. The project’s attention to the local and to the rarely portrayed experience of the working class take on a particular social and political relevance in the context of global capitalism, war, and economic recession.

SFMOMA will offer visitors a free special-edition newspaper titled the Lunch Break Times, which Lockhart conceived as an artist project to further the dialogue of the Lunch Break exhibition. For this edition of the newspaper, an array of local writers, activists, and artists from Maine and the Bay Area will weigh in on various aspects of the history and current state of industrial labor.

Sharon Lockhart: Lunch Break – By Sabine Eckmann
American artist Sharon Lockhart is well known for her formally strict and conceptually precise films and photographs. Lunch Break, her newest solo exhibition, is the product of more than a year spent at the Bath Iron Works shipyard in Bath, Maine, observing and engaging with the shipbuilders during breaks from their daily routines. The resultant two film installations and three series of photographs present images that are devoid of sentiment yet deeply humane, intimate in their focus on everyday situations while reflective of broader global conditions through their historically grounded approach. The catalog includes over one hundred images in full color, essays by exhibition curator Sabine Eckmann and art historian Matthias Michalka, and an interview with Lockhart conducted by filmmaker James Benning. Click here to order on-line: Lunch Break Catalogue

Related Film Screenings:

Thursday, January 5, 7:00 pm
PINE FLAT – Sharon Lockhart, 2005, 138 min.

Thursday, January 12, 7:00 pm
NO – Sharon Lockhart, 2003, 32 min.
PODWORKA – Sharon Lockhart, 2009, 31 min.

Screenings are held in the Phyllis Wattis Theater, SFMOMA
Tickets: $5 general admission; free with museum admission
Click here for more information: Sharon Lockhart: Lunch Break

SEE RELATED ARTICLES

The Sentinel’s own editor Sean Martinfield is interviewed by David Perry on Comcast. Catch the Action!
NEW YEAR’S EVE MASQUERADE BALL – Violinist Nicola Benedetti with the San Francisco Symphony
CD, JAKE SCHEPPS – An Evening in the Village: The Music of Béla Bartók
“XANADU THE MUSICAL” – Now at the New Conservatory Theatre Center
JAN WAHL – Joins “The Golden Girls: The Christmas Episodes” – Live At The Victoria Theatre, 12/23
‘TWAS THE NIGHT – Celebrate Christmas with the San Francisco Symphony
DEANNA DURBIN – The Leading Lady of NOIR CITY XMAS, Wednesday at The Castro Theatre
CD Review – A STEINWAY CHRISTMAS ALBUM ★★★★
MELODY MOORE – Opera Star to Appear with San Francisco Gay Men’s Chorus in Holiday Concerts
CHITA RIVERA – Narrates “Peter and the Wolf” with the San Francisco Symphony
http://www.sanfranciscosentinel.com/?p=166581
http://www.sanfranciscosentinel.com/?p=166587
SF Opera Center Announces the 2012 Adler Fellows
CALIFORNIA DREAMING – At the Contemporary Jewish Museum
SAN FRANCISCO SYMPHONY – 100th Anniversary Concert, December 8th, at Davies Hall
BERNINI’S MEDUSA – Now at the Legion of Honor through February 12th
“THE ARTIST” – Silents, please! – A masterpiece in B&W, starring Jean Dujardin
THOMAS JANE – An interview with the star of HBO’s “Hung” and 3D Thriller “Dark Country”
THE TEMPERAMENTALS – A Must-See at New Conservatory Theatre Center
MICHAEL CORBETT – SF historian to speak at The Presidio, “The Creation of the Port and the Development of the City
CIRQUE DU SOLEIL – Best Show In Town, Now Through December 18th at AT&T Park
CARMEN – Closing the season at San Francisco Opera
PISSARRO’S PEOPLE – Stunning exhibit now at the Legion of Honor, through 1/22
THE PRESIDIO’S HIDDEN PAST – SF’s Oldest Building Reveals Original Adobe Walls
MAHARAJA – The Splendor of India’s Royal Courts, at the Asian Art Museum
KYLE KETELSEN and JANE ARCHIBALD – Featured Soloists in SF Symphony’s Presentation of the Brahms Requiem
“XERXES” – A Royally Entertaining Production at SF Opera
BEVAN DUFTY – A Conversation with The City’s Most Effective Candidate for Mayor
“REAL STEEL” – Reels of money-making crap starring Hugh Jackman
DAVID LOMELI – Performs at Día de los Muertos Community Concert with SF Symphony, Saturday, 11/5
“XERXES” – At San Francisco Opera
RICHARD SERRA DRAWING – At the SF Museum of Modern Art through January 16th
CD Release: “Feels Like Home”, The Celtic Tenors ★★★★
DON GIOVANNI – It’s smart and new at San Francisco Opera
“HOUDINI: Art and Magic” – At the Contemporary Jewish Museum
LEANNE BORGHESI – SF Bay Area Star on the Rise
“REAL STEEL” – Reels of money-making crap starring Hugh Jackman
LUCAS MEACHEM – Former Adler Fellow to sing “Don Giovanni” at San Francisco Opera
CAMERON CARPENTER – International Superstar Organist plays “Phantom of the Opera” at Davies Symphony Hall, Friday, October 30th
“THE MILL & THE CROSS” – Film director Lech Majewski brings 16th Century masterpiece to life
“ONCE IN A LIFETIME” – A Charming Comedy at A.C.T.
“LUCREZIA BORGIA” – A Hard Act To Swallow at San Francisco Opera
THE “DOUBLE PLATINUM” GOES TO: The California Academy of Sciences!
EDDIE MULLER and “Fear Over Frisco” – An Interview with the Czar of Noir
LEAH CROCETTO – An Interview with “Liu” in SF Opera’s TURANDOT
CD Release – Jacques Loussier Trio – “Schumann: Kinderszenen”
HENRY PHIPPS – A Conversation with Featured Boy Soprano in SF Opera’s “Heart of a Soldier”
HBO Premieres “The Strange History of Don’t Ask, Don’t Tell” – Midnight, 9/20
“HEART OF A SOLDIER” – A Rapturous World Premiere At San Francisco Opera
MEET MAESTRO NICOLA LUISOTTI – San Francisco Opera opens 2011/12 season with Puccini’s “Turandot”
“The Glory of Love” – A Salute to Jacqueline Fontaine
“MOZART’S SISTER” – Third string cinema
SHN Presents – STOMP and How the Grinch Stole Christmas, The Musical
“HEART OF A SOLDIER” – SFOpera Presents World Premiere September 10th
THE MOURNERS: Tomb Sculptures from the Court of Burgundy
MEROLA OPERA’S GRAND FINALE – Meet Daniel Curran and Mark Diamond
100th BIRTHDAY – San Francisco Symphony throws free concert bash in Civic Center Plaza, September 8th
“CASABLANCA” – The SF Symphony accompanies screening tonight, 7/22
“HE WHO GETS SLAPPED” – A conversation with composer and pianist Matti Bye
ABEL GANCE’S “NAPOLEON” – San Francisco Silent Film Festival to present complete restoration by Kevin Brownlow in 2012
“BILLY ELLIOT” – A high flying hit at the Orpheum
HEIDI MELTON – An Interview with “Sieglinde” in San Francisco Opera’s DIE WALKÜRE
MARY GIBBONEY – An Interview with the star of “ABSOLUTELY SAN FRANCISCO”
“DAS RHEINGOLD” – The slippery steps to Valhalla
SONDHEIM’S “ASSASSINS” – Ray of Light Theatre is right-on target
“TALES OF THE CITY” – Totally Sensational, Totally San Francisco
TIIT HELIMETS – An Interview with “Prince Edvard” of SF Ballet’s THE LITTLE MERMAID
NEW CENTURY CHAMBER ORCHESTRA – Presents “Mastery of Schubert”, Featuring Soprano Melody Moore, 3/24–27
ZHENG CAO – A Conversation with A Miracle Artist
MELODY MOORE – Soprano shines in SF Ballet’s “Nanna’s Lied”
MARNIE BRECKENRIDGE – An Interview with “La Princesse” of Philip Glass’ Orphée
EDITORIAL – A confession about ballerina Lorena Feijóo
GISELLE – And the Legend of the Wilis
A Conversation with Elza van den Heever
CLUB FOOT ORCHESTRA – A Conversation with Richard Marriot
WEST SIDE STORY – Most of it, anyway
PLÁCIDO DOMINGO – An Interview with the Tenor turned Baritone for “Cyrano”
Dr. ELISA STEPHENS – A Visit with the President of the Academy of Art University
CUBAN BALLET – An Interview with Octavio Roca
A Look At “Giselle” with Ballerina Lorena Feijóo
SABINA ALLEMANN – Former SF Ballet Ballerina Returns In A.C.T.’s “The Tosca Project”
AMANDA McBROOM – A conversation on her recording of songs by Jacques Brel
CAMERON CARPENTER – An interview with Grammy-nominated organist
HANDEL’S “ORLANDO” – An Interview with Conductor Nicholas McGagen
PIANIST MISHA DICHTER – A Conversation
ZUILL BAILEY – A Conversation
DAVID PERRY – On the “Dos and Don’ts of Social Media”
NATHAN GUNN – Sings Schubert’s Die Schöne Müllerin
CAMINOS FLAMENCOS – A Conversation with Yaelisa
JANE MONHEIT – An Interview
DIANE BAKER – Celebrating the 50th Anniversary of THE DIARY OF ANNE FRANK
CAMERON CARPENTER – An Interview with Seán Martinfield
AT LAST! – ANN HAMPTON CALLAWAY – An Interview with Seán Martinfield
A Conversation with Ruben Martin Cintas, Principal Dancer with SF Ballet
THIS GUN FOR HIRE, 1942 – Looking at “Now you see it, now you don’t” sung by Veronica Lake
“My Silver Dollar Man” – from MARKED WOMAN (starring Bette Davis, 1937)
“Would You Like A Souvenir?” – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)

Comments are closed.