Sentinel Editor and Publisher
Photo by Lynn Imanaka
Tonight at 8:00, San Francisco Opera presents the world premiere of Heart of a Soldier, a new opera by composer Christopher Theofanidis with a libretto by Donna Di Novelli. Commissioned by San Francisco Opera in commemoration of the 10th anniversary of the September 11th World Trade Center attacks, Heart of a Soldier is based on the critically acclaimed non-fiction book of the same name by Pulitzer Prize-winning journalist James B. Stewart and the life stories of Susan Rescorla, Rick Rescorla and Daniel J. Hill. The cast features baritone Thomas Hampson, tenor William Burden and soprano Melody Moore.
Heart of a Soldier premieres as part of the Company’s 2011–12 repertory season. Six additional performances will be presented through September 30th at the War Memorial Opera House. Francesca Zambello will direct this world premiere production and San Francisco Opera Principal Guest Conductor Patrick Summers will lead the San Francisco Opera Orchestra and Chorus. The production team includes set designer Peter J. Davison, costume designer Jess Goldstein, lighting designer Mark McCullough, projection designer S. Katy Tucker, movement director Rick Sordelet, choreographer Lawrence Pech and Company chorus director Ian Robertson.
— HEART OF A SOLDIER —
7 Performances: September 10th through September 27th
Thomas Hampson — Melody Moore
A tale of war, love, friendship and heroism, Heart of a Soldier reflects on the extraordinary true story of Rick Rescorla, a man trained to be a consummate soldier who gave up his own life saving thousands in the attacks on September 11th, 2001. Inspired by the American soldiers he saw as a boy in Cornwall, England preparing to launch the Normandy invasion on what became D-Day, and by his adult friendship with American fighting man Dan Hill, whom he meets in war-torn Rhodesia, Rescorla emigrates to the United States in the early 1960s to become a soldier and a “Yank,” ultimately becoming a decorated platoon leader during the Vietnam War.
On September 11th, as head of security for Morgan Stanley at Two World Trade Center, Rescorla is thrown to the floor when United Airlines Flight 175 crashes into the South Tower. Amidst the unimaginable chaos that ensues, Rescorla uses his commanding presence and booming voice to literally sing his colleagues down smoke-filled stairs and out of the building. While he successfully evacuates all of his company’s 2,700 employees from the South Tower before it collapses, Rescorla makes the ultimate sacrifice when he goes back into the building to search for stragglers. Heart of a Soldier is an opera about a hero who disdains that very term, and about his deep friendship with an American soldier, so unlike him in approach and yet so similar in dedication and bravery.
RICK RESCORLA, Vietnam 1965
Photo, Peter Arnett
Renowned American baritone Thomas Hampson returns to San Francisco Opera as Rick Rescorla. In addition to creating the role of Valmont in the world premiere of Conrad Susa’s The Dangerous Liaisons, Hampson has previously performed with the Company as Figaro in The Barber of Seville, Ulysses in Il Ritorno d’Ulisse in Patria and in the title roles of Hamlet and Macbeth. A great champion of American song and music, Hampson recently received the Library of Congress’s “Living Legend” award, which recognizes individuals who have made significant contributions to America’s diverse cultural, scientific, and social heritage.
Returning to San Francisco Opera after his most recent appearance as Tom Rakewell in The Rake’s Progress, William Burden is Rick Rescorla’s best friend, Daniel J. Hill. Burden has previously created roles in two other world premiere productions—Gilbert Griffiths in Tobias Picker’s An American Tragedy at the Metropolitan Opera and Dodge in Daron Hagen’s Amelia at the Seattle Opera. The American tenor made his San Francisco Opera debut as Count Lerma in Don Carlo and has also appeared as Janek in The Makropulos Case and Lindoro in L’Italiana in Algeri.
PATRICK SUMMERS, Conductor — WILLIAM BURDEN, Tenor
Former Adler Fellow Melody Moore creates the role of Susan Rescorla, Rick’s beloved wife. Moore has previously appeared with the Company as Mimì in La Bohème in 2008 as well as Countess Almaviva in Le Nozze di Figaro and Kate Pinkerton in Madama Butterfly. Career highlights include Mimì at English National Opera and Opera Cleveland; Countess Almaviva with Los Angeles Opera and Rita Clayton in the New York premiere of Stephen Schwartz’s Seance on a Wet Afternoon with New York City Opera.
“For nearly a decade I have been hoping to commission an opera from the brilliantly talented Christopher Theofanidis,” stated General Director David Gockley. “When there finally was a window of opportunity at Houston Grand Opera, I changed jobs and preliminary plans for Heart of a Soldier had to be put on hold. Once in San Francisco, I felt the opportunity to commission this work in observation of the tenth anniversary of the tragic events of 9/11—and the commitment of Tom Hampson to create the lead role—gave the project critical mass. On the surface the piece is about what it takes to be a true hero, but what will drive the music is the passion, the suspense and the ultimate tragedy.”
Christopher Theofanidis explains: “Donna and I have spent time with Dan Hill and Susan Rescorla (Rick Rescorla’s widow) and we are honored to be involved with this project. The fact that it is a true story has made it very personal for both of us. This is fundamentally a deeply humanistic work, with an emphasis on Rick and Dan coming to understand who they are as people and then maximizing their potential. The essence of this comes from a sense of service to others and duty—the heart of a soldier. This nobility of spirit is transformed in the arc of the opera from Vietnam, where it kept Rick and Dan’s troops together, to September 11th, when Rick went back into a building he knew was going to fall. Another theme resonating throughout the opera is how we honor and remember the dead, how we incorporate them into our own hearts and come to grips with great loss.”
JAMES B. STEWART, Author – The Heart of A Soldier
Photo, Seán Martinfield
“When I read James Stewart’s true story of an unsung hero of 9/11, its epic themes of a warrior’s code of honor, intense bonds of loyalty, late-found love and overwhelming tragedy struck me as extremely theatrical,” said Francesca Zambello. “It also takes up ideas and ideals, morals and morality in the context of modern American lives. I have always wanted to create an opera based on a real life story and was very gratified when David Gockley agreed to develop this work with me.”
San Francisco Opera’s annual free Opera in the Park
Sharon Meadow, Golden Gate Park, on Sunday, September 11 at 2:00 pm.
This extraordinary event has been recognized as the City and County of San Francisco’s civic observance commemorating the tenth anniversary of the September 11, 2001 terrorist attacks in New York City, Washington, D.C. and Pennsylvania. Presented by the San Francisco Chronicle and San Francisco Opera, with the participation of the Office of the Mayor of San Francisco, the Honorable Edwin M. Lee, in cooperation with the San Francisco Interfaith Council, this year’s special Opera in the Park concert will honor the memory of those who perished on 9/11 and celebrate the service and heroism of the Bay Area’s first responders including firefighters, paramedics and police, among others. San Francisco Opera Music Director Nicola Luisotti will conduct the San Francisco Opera Orchestra, Chorus and acclaimed soloists from the Company’s Fall 2011 Season in a concert featuring Mozart’s Requiem in D minor, and inspirational works by American composers Leonard Bernstein, Aaron Copland and John Williams, as well as music by Christopher Theofanidis. During the Mozart Requiem, musical movements will be interspersed with meditational texts read by members of the broad religious community that comprise the San Francisco Interfaith Council.
Photo, Cory Weaver
» Don’t miss a thing. Get Sentinel breaking news alerts delivered to your inbox.
See related material:
“The Glory of Love” – A Salute to Jacqueline Fontaine
MEET MAESTRO NICOLA LUISOTTI – San Francisco Opera opens 2011/12 season with Puccini’s “Turandot”
SAN FRANCISCO SYMPHONY – Opens Tonight and Celebrates Its 100th Anniversary
STEVE MARTIN’S “The Underpants” – Gets an airing at Gough Street Playhouse
A “WORLD PREMIERE” – Mozart’s Concerto for Horn and Orchestra
“MOZART’S SISTER” – Third string cinema
SF EARLY MUSIC SOCIETY – Season Opens with the Catacoustic Consort and Wildcat Viols
“ONCE IN A LIFETIME” – 1930 Comedy Open’s 2011-12 Season at A.C.T.
SF ARTS COMMISSION – Debuts New Public Artwork at the Ortega Branch Library
36th ANNUAL SF OPEN STUDIOS – Every weekend, October 1st—30th
SELECTED HISTORIES: Discover Latin American Art at SFMOMA
POLARIS: VOYAGE FOR ORCHESTRA – With the San Francisco Symphony
“HEART OF A SOLDIER” – SFOpera Presents World Premiere September 10th
GRANTS FOR THE ARTS – 50th Anniversary, A Free Celebration At City Hall
THE MOURNERS: Tomb Sculptures from the Court of Burgundy
MEROLA OPERA’S GRAND FINALE – Meet Daniel Curran and Mark Diamond
SAN FRANCISCO OPERA – Opens with Puccini’s “Turandot”, September 9th
HELP IS ON THE WAY XVII: Gotta Sing! Gotta Dance!
Previewing two exhibitions coming to the de Young Museum and Legion of Honor
NEW ON CD – “Live from the Marlboro Music Festival”
100th BIRTHDAY – San Francisco Symphony throws free concert bash in Civic Center Plaza, September 8th
KEVIN SPACEY IS “RICHARD III” – At the Curran, October 19th—29th
FOUR SAINTS IN THREE ACTS – Gertrude Stein and Virgil Thomson’s Experimental Opera at Yerba Buena Center for the Arts, 8/18–21
3rd i’s QUEER EYE – August Festival focuses on the South Asian LGBT experience
BALI: Art, Ritual, Performance – At the Asian Art Museum until September 11th
FOLGER COFFEE BUILDING – Becomes Downtown Hub for University of San Francisco
“STUFFED AND UNSTRUNG” – The Henson Puppets, Totally Uncensored – At the Curran, 8/18—27th
San Francisco Opera and Musicians Union – Ratify new 3-year contract
DIANA ROSS – One Night Only! – At the Golden Gate Theatre, 9/16
SAN FRANCISCO OPERA – Free Concert at Stern Grove, August 21st
TURANDOT – San Francisco Opera Opening Night Gala, September 9th
“THE BARBER OF SEVILLE” – Presented by the Merola Opera Program, 8/4-7
KIRK DOUGLAS – On Stage At The Castro Theatre
“CASABLANCA” – The SF Symphony accompanies screening
“HE WHO GETS SLAPPED” – A conversation with composer and pianist Matti Bye
ABEL GANCE’S “NAPOLEON” – San Francisco Silent Film Festival to present complete restoration by Kevin Brownlow in 2012
SEPTEMBER 11th – “Opera In The Park” – The City’s Civic Observance of the 10th Anniversary of 9/11
SAN FRANCISCO OPERA – Single tickets go on sale Sunday, July 10th, at 10 AM
THE CASTRO AMBASSADORS – Got questions? Have answers!
MARY GIBBONEY – An Interview with the star of “ABSOLUTELY SAN FRANCISCO”
“BILLY ELLIOT” – A high flying hit at the Orpheum
HEIDI MELTON – An Interview with “Sieglinde” in San Francisco Opera’s DIE WALKÜRE, 6/29
“DAS RHEINGOLD” – The slippery steps to Valhalla
“BILLY ELLIOT” – Leaps Into the Orpheum June 27th
PICASSO — Now at the de Young Museum
SONDHEIM’S “ASSASSINS” – Ray of Light Theatre is right-on target
“TALES OF THE CITY” – Totally Sensational, Totally San Francisco
“THE STOPS” – At NCTC – Come On and Get A Faith Lift
BRENDEN GUY — British Clarinetist In Concert, June 2nd
SILENT FILM FESTIVAL – Opens July 14th with re-discovered film by John Ford
THIS GUN FOR HIRE, 1942 – Looking at “Now you see it, now you don’t” sung by Veronica Lake
Seán Martinfield YouTube with Janet Roitz – ‘Marked Woman’ (1937) and the song that gave it pizzazz – ‘My Silver Dollar Man’
“Would You Like A Souvenir?” – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)
SFMOMA — The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde
“ASSASSINS” – Ray of Light Theatre presents Stephen Sondheim’s controversial musical, June 2–25
VICE PALACE – All Singing! All Dancing! All Hedonism!!!
SEEING GERTRUDE STEIN: FIVE STORIES
THE SCOTTSBORO BOYS – Coming to A.C.T.
PICASSO: At the de Young Museum, Tickets on sale 5/11
BETH WILMURT – A stunning “Alma” in The Eccentricities of a Nightingale, at the Aurora Theatre
THE PRINCESS OF MONTPENSIER – Les yawns, les sighs
CD: ZUILL BAILEY, Cellist – Brahms Works for Cello and Piano
TIIT HELIMETS – An Interview with “Prince Edvard” of SF Ballet’s THE LITTLE MERMAID
NO EXIT: A Helluva Great Time at the American Conservatory Theatre
KIRK DOUGLAS – On stage at the Castro Theatre, July 24th
NEW CONSERVATORY THEATRE CENTER – Announces 2011-12 Pride Season
NEW PUBLICATIONS: PUBLIC TRUST BETRAYED. An Interview with author and real estate appraiser, James E. Manning
NEW CENTURY CHAMBER ORCHESTRA – Presents “Mastery of Schubert”, Featuring Soprano Melody Moore
FLORAL DESIGNER NATASHA LISITSA – Creating the Fantastical in the Wilsey Court for “Bouquets To Art 2011″
ZHENG CAO – A Conversation with A Miracle Artist
MELODY MOORE – Soprano shines in SF Ballet’s “Nanna’s Lied”
MARNIE BRECKENRIDGE – An Interview with “La Princesse” of Philip Glass’ Orphée
AVENUE Q – A Totally Fabulous Place To Be
Sentinel Editor and Publisher
Seán Martinfield, who also serves as Fine Arts Critic, is a native San Franciscan. He is a Theatre Arts Graduate from San Francisco State University, a professional singer, and well-known private vocal coach to Bay Area actors and singers of all ages and persuasions. His clients have appeared in Broadway National Tours including Wicked, Aïda, Miss Saigon, Rent, Bye Bye Birdie, in theatres and cabarets throughout the Bay Area, and are regularly featured in major City events including Diva Fest, Gay Pride, and Halloween In The Castro. As an Internet consultant in vocal development and audition preparation he has published thousands of responses to those seeking his advice concerning singing techniques, professional and academic auditions, and careers in the Performing Arts. Mr. Martinfield’s Broadway clients have all profited from his vocal methodology, “The Belter’s Method”. If you want answers about your vocal technique, post him a question on AllExperts.com. If you would like to build up your vocal performance chops and participate in the Bay Area’s rich theatrical scene, e-mail him at: firstname.lastname@example.org.