Sentinel Editor and Publisher
Photo by Lynn Imanaka
Music Director Nicholas McGegan and Philharmonia Baroque will open the upcoming season with a “world premiere” horn concerto, performed by the orchestra’s principal horn R. J. Kelley. Initially written by Mozart in 1781, the Concerto for Horn and Orchestra in E-flat Major was not published in its entirety until 1988, when sixty of the piece’s missing measures were finally found. Kelley has constructed a “pasticcio” version of the concerto by assembling fragments of the first movement (K370b), and the recently-discovered manuscript of the second movement (K371), linked by the slow movement from Mozart’s Horn Concerto No. 4 in E-flat Major (K495). Kelley, one of North America’s leading natural horn proponents, is a 29-year veteran of Philharmonia Baroque.
The program also includes Mozart’s Symphony No. 38 in D Major, K. 504 “Prague.” Mozart composed the piece in 1786 in order to thank the city that had given him endless praise for his work, particularly his production of The Marriage of Figaro.
JOSEPH HAYDN — FRANZ BECK — WOLFGANG AMADEUS MOZART
Two compositions by Mozart’s colleagues round out the program. Franz Beck introduced his ballet-heroïque La Mort d’Orphée at Bordeaux’s Grand Theatre in 1784; the ballet music has been lost, but the Overture survived due to its immense popularity— so much so that French impresarios sometimes substituted it for Gluck’s original overture to Orphée et Eurydice. The evening will close with a performance of Haydn’s Symphony No. 98. in B-flat major, one of his “London” symphonies composed in 1792 during Haydn’s first visit to the city. The piece includes an eleven-bar solo for fortepiano in the final movement, which Haydn is believed to have played at the symphony’s premiere. This fall, Nicholas McGegan will take on the solo passage himself.
Click here to order tickets on-line: Mozart & Haydn
R. J. KELLEY
ABOUT R. J. KELLEY
One of North America’s premiere natural horn specialists, R.J. Kelley was recently hailed in the Horn Call of the International Horn Society as performing “with virtuosity, precision, and a stylistic mastery that could be matched by few, surpassed by none”. A member of Philharmonia Baroque Orchestra since 1982, R.J. is a horn player of unusually broad musical scope, equally at home as soloist (Philharmonia Baroque Orchestra, American Classical Orchestra, Santa Fe Pro Musica), chamber musician (Manhattan Brass, Smithsonian Chamber Players, Aspen Wind Quintet, Universal Piston), orchestral performer (New York Philharmonic, Orpheus, American Ballet Theater, Gotham Opera, Mostly Mozart), recording artist (Mozart Concerti on natural horn, Grammy-nominated Das Lied von der Erde – Mahler/Schoenberg reduction), and educator (artist faculty, Julliard School of Music; guest teacher/lecturer: Yale University; Hartt School of Music; SUNY Stony Brook; Washington University; San Jose State University).
He is a participant in music festivals worldwide (Edinburgh, Berkeley, Boston, and Bloomington Early Music festivals; Montreux-Detroit, Sacramento, and Mammoth Lake Jazz festivals; Mostly Mozart, Lincoln Center, Washington Square Park). With appearances on “Saturday Night Live”, the “Today Show”, “Late Night with David Letterman”, and over 70 CDs (Philharmonia Baroque, New York Philharmonic, Manhattan Brass) and films (Casanova, Snake Eyes) to his credit , R.J. has worked with commercial artists ranging from Jimmy Page and Puff Daddy, to Johnny Mathis, Little Anthony and the Imperials, the Killers, Chuck Mangione, and CeeLo Green. A Detroit native and founding member/past president of the Detroit Waldhorn Society, he has resided in the New York City area since 1989.
Philharmonia Baroque Orchestra
Click here to order tickets on-line: Mozart & Haydn
See related material:
“MOZART’S SISTER” – Third string cinema
SF EARLY MUSIC SOCIETY – Season Opens with the Catacoustic Consort and Wildcat Viols
“ONCE IN A LIFETIME” – 1930 Comedy Open’s 2011-12 Season at A.C.T.
SF ARTS COMMISSION – Debuts New Public Artwork at the Ortega Branch Library
36th ANNUAL SF OPEN STUDIOS – Every weekend, October 1st—30th
SELECTED HISTORIES: Discover Latin American Art at SFMOMA
POLARIS: VOYAGE FOR ORCHESTRA – With the San Francisco Symphony
“HEART OF A SOLDIER” – SFOpera Presents World Premiere September 10th
GRANTS FOR THE ARTS – 50th Anniversary, A Free Celebration At City Hall
THE MOURNERS: Tomb Sculptures from the Court of Burgundy
MEROLA OPERA’S GRAND FINALE – Meet Daniel Curran and Mark Diamond
SAN FRANCISCO OPERA – Opens with Puccini’s “Turandot”, September 9th
HELP IS ON THE WAY XVII: Gotta Sing! Gotta Dance!
Previewing two exhibitions coming to the de Young Museum and Legion of Honor
NEW ON CD – “Live from the Marlboro Music Festival”
100th BIRTHDAY – San Francisco Symphony throws free concert bash in Civic Center Plaza, September 8th
KEVIN SPACEY IS “RICHARD III” – At the Curran, October 19th—29th
FOUR SAINTS IN THREE ACTS – Gertrude Stein and Virgil Thomson’s Experimental Opera at Yerba Buena Center for the Arts, 8/18–21
3rd i’s QUEER EYE – August Festival focuses on the South Asian LGBT experience
BALI: Art, Ritual, Performance – At the Asian Art Museum until September 11th
FOLGER COFFEE BUILDING – Becomes Downtown Hub for University of San Francisco
“STUFFED AND UNSTRUNG” – The Henson Puppets, Totally Uncensored – At the Curran, 8/18—27th
San Francisco Opera and Musicians Union – Ratify new 3-year contract
DIANA ROSS – One Night Only! – At the Golden Gate Theatre, 9/16
SAN FRANCISCO OPERA – Free Concert at Stern Grove, August 21st
TURANDOT – San Francisco Opera Opening Night Gala, September 9th
“THE BARBER OF SEVILLE” – Presented by the Merola Opera Program, 8/4-7
KIRK DOUGLAS – On Stage At The Castro Theatre
“CASABLANCA” – The SF Symphony accompanies screening
“HE WHO GETS SLAPPED” – A conversation with composer and pianist Matti Bye
ABEL GANCE’S “NAPOLEON” – San Francisco Silent Film Festival to present complete restoration by Kevin Brownlow in 2012
SEPTEMBER 11th – “Opera In The Park” – The City’s Civic Observance of the 10th Anniversary of 9/11
SAN FRANCISCO OPERA – Single tickets go on sale Sunday, July 10th, at 10 AM
THE CASTRO AMBASSADORS – Got questions? Have answers!
MARY GIBBONEY – An Interview with the star of “ABSOLUTELY SAN FRANCISCO”
“BILLY ELLIOT” – A high flying hit at the Orpheum
HEIDI MELTON – An Interview with “Sieglinde” in San Francisco Opera’s DIE WALKÜRE, 6/29
“DAS RHEINGOLD” – The slippery steps to Valhalla
“BILLY ELLIOT” – Leaps Into the Orpheum June 27th
PICASSO — Now at the de Young Museum
SONDHEIM’S “ASSASSINS” – Ray of Light Theatre is right-on target
“TALES OF THE CITY” – Totally Sensational, Totally San Francisco
“THE STOPS” – At NCTC – Come On and Get A Faith Lift
BRENDEN GUY — British Clarinetist In Concert, June 2nd
SILENT FILM FESTIVAL – Opens July 14th with re-discovered film by John Ford
THIS GUN FOR HIRE, 1942 – Looking at “Now you see it, now you don’t” sung by Veronica Lake
Seán Martinfield YouTube with Janet Roitz – ‘Marked Woman’ (1937) and the song that gave it pizzazz – ‘My Silver Dollar Man’
“Would You Like A Souvenir?” – Sean Martinfield and Janet Roitz explore a song from Film Noir classic NORA PRENTISS (1947)
SFMOMA — The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde
“ASSASSINS” – Ray of Light Theatre presents Stephen Sondheim’s controversial musical, June 2–25
VICE PALACE – All Singing! All Dancing! All Hedonism!!!
SEEING GERTRUDE STEIN: FIVE STORIES
THE SCOTTSBORO BOYS – Coming to A.C.T.
PICASSO: At the de Young Museum, Tickets on sale 5/11
BETH WILMURT – A stunning “Alma” in The Eccentricities of a Nightingale, at the Aurora Theatre
THE PRINCESS OF MONTPENSIER – Les yawns, les sighs
CD: ZUILL BAILEY, Cellist – Brahms Works for Cello and Piano
TIIT HELIMETS – An Interview with “Prince Edvard” of SF Ballet’s THE LITTLE MERMAID
NO EXIT: A Helluva Great Time at the American Conservatory Theatre
KIRK DOUGLAS – On stage at the Castro Theatre, July 24th
NEW CONSERVATORY THEATRE CENTER – Announces 2011-12 Pride Season
NEW PUBLICATIONS: PUBLIC TRUST BETRAYED. An Interview with author and real estate appraiser, James E. Manning
NEW CENTURY CHAMBER ORCHESTRA – Presents “Mastery of Schubert”, Featuring Soprano Melody Moore
FLORAL DESIGNER NATASHA LISITSA – Creating the Fantastical in the Wilsey Court for “Bouquets To Art 2011″
ZHENG CAO – A Conversation with A Miracle Artist
MELODY MOORE – Soprano shines in SF Ballet’s “Nanna’s Lied”
MARNIE BRECKENRIDGE – An Interview with “La Princesse” of Philip Glass’ Orphée
AVENUE Q – A Totally Fabulous Place To Be
Sentinel Editor and Publisher
Seán Martinfield, who also serves as Fine Arts Critic, is a native San Franciscan. He is a Theatre Arts Graduate from San Francisco State University, a professional singer, and well-known private vocal coach to Bay Area actors and singers of all ages and persuasions. His clients have appeared in Broadway National Tours including Wicked, Aïda, Miss Saigon, Rent, Bye Bye Birdie, in theatres and cabarets throughout the Bay Area, and are regularly featured in major City events including Diva Fest, Gay Pride, and Halloween In The Castro. As an Internet consultant in vocal development and audition preparation he has published thousands of responses to those seeking his advice concerning singing techniques, professional and academic auditions, and careers in the Performing Arts. Mr. Martinfield’s Broadway clients have all profited from his vocal methodology, “The Belter’s Method”. If you want answers about your vocal technique, post him a question on AllExperts.com. If you would like to build up your vocal performance chops and participate in the Bay Area’s rich theatrical scene, e-mail him at: email@example.com.