U.S. Premiere of full orchestral score by Carl Davis who will conduct the Oakland East Bay Symphony
Sentinel Editor and Publisher
Photo by Lynn Imanaka
The San Francisco Silent Film Festival has announced it will present the U.S. premiere of Abel Gance’s legendary NAPOLEON in its complete restoration by Academy Award-winning historian, documentarian and archivist Kevin Brownlow, in four special screenings at Oakland’s Paramount Theatre on March 24th, 25th, 31st and April 1st, 2012.
The Brownlow restoration, produced with his partner Patrick Stanbury at Photoplay Productions in association with the BFI, is the most complete version of Gance’s masterpiece since its 1927 premiere at the Paris Opéra.
The SFSFF screenings also mark the U.S. premiere of the renowned orchestral score, written over 30 years ago (and twice expanded since), by Carl Davis, who will conduct the Oakland East Bay Symphony.
ALBERT DIEUDONNÉ (as “Napoleon”) and KEVIN BROWNLOW
The spectacular presentation at the 3,000-seat, Art Deco Oakland Paramount will be climaxed by its finale in “Polyvision”—an enormous triptych, employing three specially-installed synchronized projectors, that will dramatically expand the screen to triple its width. The logistics and expense of screening Napoleon properly with full orchestra and special equipment have made it nearly impossible to mount. Gance’s Napoleonhasn’t been screened theatrically in the U.S. with live orchestra for nearly 30 years and there are no plans to repeat the SFSFF event in any other American city.
Says Stacey Wisnia, Executive Director of the San Francisco Silent Film Festival, “This will be ‘the cinema event of a lifetime’ and for once that’s not just hype, considering that we may never have another chance to see Napoleon presented on this scale, and with Carl Davis’ magnificent score. But we’re also referring to the lifetime of passion that Kevin Brownlow has devoted to bringing Abel Gance’s original vision back to life.”
Mr. Brownlow, who last year became the first film historian ever honored with a special Academy Award, became fascinated with Gance’s film when, as a schoolboy in the 1950s, he ran two 9.5mm reels he had stumbled upon at a street market.
“I was stunned by the cinematic flair,” says Brownlow. “I was exhilarated by the rapid cutting and the swirling camera movement. What daring! I had never seen anything comparable—and I set out to find more of it.” That determination led to a lifelong quest.
The first major Brownlow/BFI restoration culminated in a screening at the Telluride Film Festival in 1979, with 89-year-old Gance watching from a nearby hotel window. Under the auspices of Francis Ford Coppola and Robert A. Harris, a version of this restoration, accompanied by a score composed by Mr. Coppola’s father Carmine, was presented to great acclaim at Radio City Music Halland other venues in the U.S. and around the world in the early 1980s. Mr. Brownlow and the BFI did additional restoration work in 1983.
The current restoration, completed in 2000 but not previously seen outside Europe, reclaims more than 30 minutes of additional footage discovered since the 1979 screening and visually upgrades much of the film. This unique 35mm print, made at the laboratory of the BFI’s National Archive, uses traditional dye-bath techniques to recreate the color tints and tones that enhanced the film on its original release, giving a vividness to the image as never before experienced in this country.
Each screening of the 5 1/2-hour epic will begin in the afternoon and will be shown in four parts with three intermissions, including a dinner break. Beginning Monday, July 18th, tickets will be available online through the SFSFF website: SF Silent Film Festival
Abel Gance’s NAPOLEON is being presented by the San Francisco Silent Film Festival, in association with American Zoetrope, The Film Preserve, Photoplay Productions, and the BFI. Technical services will be provided by Boston Light & Sound.
Founded in 1994, the San Francisco Silent Film Festival has showcased the finest films of the silent era as they were meant to be seen: on the big screen with live music composed and performed by accomplished artists. While its annual July festival remains its flagship event, the SFSFF now produces special events throughout the year. Says Robert Byrne, SFSFF board president, “This extraordinary presentation of Gance’s masterpiece is a major cultural coup, not just for our festival, but for the whole Bay Area.”
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Sentinel Editor and Publisher
Seán Martinfield, who also serves as Fine Arts Critic, is a native San Franciscan. He is a Theatre Arts Graduate from San Francisco State University, a professional singer, and well-known private vocal coach to Bay Area actors and singers of all ages and persuasions. His clients have appeared in Broadway National Tours including Wicked, Aïda, Miss Saigon, Rent, Bye Bye Birdie, in theatres and cabarets throughout the Bay Area, and are regularly featured in major City events including Diva Fest, Gay Pride, and Halloween In The Castro. As an Internet consultant in vocal development and audition preparation he has published thousands of responses to those seeking his advice concerning singing techniques, professional and academic auditions, and careers in the Performing Arts. Mr. Martinfield’s Broadway clients have all profited from his vocal methodology, “The Belter’s Method”. If you want answers about your vocal technique, post him a question on AllExperts.com. If you would like to build up your vocal performance chops and participate in the Bay Area’s rich theatrical scene, e-mail him at: firstname.lastname@example.org.