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Brian Copeland’s The Waiting Period Resumes at the March San Francisco from January 11– 26, 2013

After a holiday season hiatus, Brian Copeland’s critically acclaimed solo show, THE WAITING PERIOD, will resume at The Marsh San Francisco from January 11 – 26, 2013. The Marsh could not be more proud of this sold-out show’s continuing and significant contribution to the local discussion and understanding of this often fatal disease.

The show plays on Friday at 8:00 pm and Saturday at 5:00 pm on The Marsh MainStage, 1062 Valencia Street in San Francisco. For tickets, the public may visit or call 415-282-3055. Fridays are Educator Nights. Please note: teachers, students and those working in the mental health field get special discounts. For information call 415-282-3055.

Copeland, a multi-talented actor, playwright, author and talk show host, has basked in the glow of both public and critical acclaim for nearly a decade. And yet, along with such other well-known figures as Mike Wallace, Tipper Gore and Yves San Laurent, he suffers from debilitating bouts of depression. As William Styron, another well-known sufferer, put it: “Mysteriously and in ways that are totally remote from normal experience…depression takes on the quality of physical pain…it is entirely natural that the victim begins to think ceaselessly of oblivion.”

This show is an unrelenting look at a ten-day period in Copeland’s life—the mandatory ten-day waiting period before he could lay his hands on the newly purchased gun with which he planned to take his own life. Even in the midst of this tragedy, however, his wonderful sense of the comedy of life does not desert him (how much should he spend on the gun?), indeed serves him insidiously well as a buffer against the grim reality of his intention. Copeland hopes this very personal, and ultimately redemptive, story will reach people who struggle with depression—often called the last stigmatized disease—as well as their families and loved ones. Interspersed with interviews with other sufferers, the play, like so many Marsh stories, also offers outsiders an insider’s view, thereby expanding our understanding and, hopefully, our humanity. As critic Sam Hurwitt put it in The Idiolect: “It’s a play I’d strongly recommend to anyone who is now or has ever been depressed or who knows someone in that situation. But honestly, it’s such a strong piece that I’d recommend it just as heartily to anyone who’s ever been human.”

In 1995, San Francisco ABC radio affiliate KGO premiered The Brian Copeland Show that remains the most listened to program in its time slot. His previous hit show, Not A Genuine Black Man, ended a seven-year run at The Marsh Berkeley earlier this year.

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Curry Senior Center’s Ends Fortieth Year with Increased Caseload, Increased Volunteer Hours and Ever-increasing Need

Curry Senior Center began operations in 1972 to assist the city’s most vulnerable population with medical assistance, housing and meals.   Completing its 40th year of operations this month, Curry’s mission is as important today as it was in 1972.

“As we begin our 5th decade of service, there is a growing population of seniors who need our in the neighborhood,” according to Dave Knego, Executive Director.  “The senior population is most concentrated in the Tenderloin and these people need a place where all of their needs – medical, nutritional, social, and housing – can be met.”

Medical visits to Curry have increased over 10% over 2011, serving 1,625 clients with 10,509 visits. Of these statistics, this includes 166 in-home visits by physicians and nurse practitioners for seniors too frail to leave their homes.

Curry’s meal site served 49,320 breakfasts and 61,480 lunches.

The housing arm of the agency was working overtime this year securing housing for 42 seniors who were previously homeless or at-risk of becoming homeless.  And the occupancy rate for Curry’s Senior Housing was 97.5%.

The mission of Curry is not possible without the dedication of it s volunteers who have donated over 10,000 hours of time serving the agency.  This includes over 540 hours of medical translation into languages including Cantonese, Lao, Mandarin, Russian, Spanish, Tagalog, and Vietnamese.

Program highlights in the 40th year include:

  • Recruited  a new group of daily volunteers who help serve seniors and socialize with them
  • The addition of mental health services.
  • Enhanced the infrastructure with new kitchen equipment, sturdy chairs, an expanded bathroom, and a refurbished elevator
  • Preparing for electronic health records and transitioning to team-based care.
  • Health education efforts included the addition of pain management and smoking cessation classes and expansion of one-on-one and group education on diabetes.
  • Started a new after-lunch walking group and a monthly raffle in the Dining Room.



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Mayor Lee & Detroit Mayor Bing Settle Friendly 2012 World Series Mayoral Wager

Detroit Mayor Travels to Home of World Champion San Francisco Giants to Meet with Junior Giants & Tour City’s Tech & Cleantech Companies

Mayor Edwin M. Lee and Detroit Mayor David Bing today settled their friendly mayoral wager on the outcome of the 2012 World Series between the San Francisco Giants and the Detroit Tigers. Mayor Bing traveled to San Francisco and joined Mayor Lee and the Junior Giants to tour AT&T Park and meet with children enrolled in the program to talk about the four principles of the youth baseball program run by the Giants’ Community Fund – confidence, integrity, teamwork and leadership – and received a special visit from Giants pitcher Jeremy Affeldt and Giants mascot Lou Seal.

“The San Francisco Giants defied incredible odds to win the World Series, and we are still celebrating our World Champions,” said Mayor Lee. “I know Mayor Bing is a good sport who cares deeply about youth and community service because he was willing to come all the way from Michigan to settle our bet with a day of service and to tour our City. Thank you to the Junior Giants and the Giants Community Fund for participating and for their work in helping our young people build confidence and develop leadership skills.”

“Although I wish the World Series results had required Mayor Lee to visit Detroit, I do appreciate the hospitality shown to me today by the Mayor’s Office and by the people of San Francisco,” said Mayor Bing. “I believe this day of education and service will strengthen the relationship between our two cities and give encouragement to the young people in the Junior Giants program.”

Since the San Francisco Giants won, Mayor Bing had to travel to San Francisco to spend a day with young people in the Junior Giants program, and had a chance to tour the City with Mayor Lee and see why San Francisco is the Innovation Capital of the World. The two mayors also visited San Francisco-based Twitter in Central Market and Greenstart, an investor and design studio for digital cleantech startups.

Junior Giants, the flagship program of the Giants Community Fund, is a free, non-competitive and innovative baseball program for boys and girls ages 5-18 years old. In 1994, the Giants Community Fund created the Junior Giants Program to give underserved kids a meaningful partnership with community-based organizations and provide important lessons in education, violence prevention and healthy living. The program now serves 20,000 children in more than 80 leagues across California and into Nevada and Oregon, with nearly 2,500 volunteer coaches participating as well. The Giants Community Fund provides all of the uniforms, equipment, and training necessary to run a league as well as tickets to select Giants games so the youth can experience a Major League Baseball game. Because of the well-rounded approach, the Giants Community Fund won a national award for excellence from the Robert Wood Johnson Foundation and the Sports Philanthropy Project.



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AutoReturn of San Francisco Wins New Contract with Kansas City to Start Municipal Towing Program

Kansas City, MO.– After a nationwide procurement search and selection process, Kansas City selected AutoReturn, the nation’s leading municipal towing management and logistics company, to oversee the city’s towing operations and handle, track, and report on towed vehicles.  Kansas City selected AutoReturn for its unique municipal towing management and logistics program.

Kansas City’s choice of AutoReturn highlights the city’s dedication to transforming its municipal towing services and streamlining city operations. The contract represents a prime example of public and private entities coming together to share best practices to simplify government services.

“We believe our solution fundamentally transforms the way cities and residents think about municipal services,” said AutoReturn CEO John Wicker. “We have been working closely with city officials and the police department in Kansas City to provide superior service and make the sometimes unfortunate experience of towing a lot easier for everyone.”

AutoReturn’s Municipal Towing Management Addresses Safety Logistics Issues

“AutoReturn’s software, people and processes have already addressed some of Kansas City’s most difficult public issues related to towing,” said Gary Majors, manager of Kansas City’s regulated industries division.  “By shortening the time it takes for equipment to reach a tow scene, the city reduces officer wait times, decreases traffic congestion, and limits the chance of secondary accidents, saving money and increasing safety.”  The average response time from dispatch to arrival since going live in October, 2012 has been reduced measurably to approximately 11 minutes.

Additionally, said Lesly Forsberg, Manager of Kansas City’s Tow Services Division, “AutoReturn’s model has relieved Kansas City of the day-to-day management of towing operators and tow requests from the Police Department, allowing city staff and police to focus their time on different important public safety issues.”

AutoReturn Technology Benefits Small, Local, Women and Minority-owned Tow Companies

By leveraging Android applications, AutoReturn is able to electronically dispatch tow trucks closest to the call, helping reduce costs incurred by the small, local, women and minority-owned tow companies.  Timothy Marshall, owner of Recovery Tow Service, Inc., said, “AutoReturn technology runs on our existing smart phones, streamlining our business.  Their fair and transparent process provides me the tools to exceed service level expectations.”

AutoReturn currently manages municipal towing and logistics operations in Baltimore County, Maryland, San Francisco, San Diego and, now, Kansas City, Missouri.

The company was founded a decade ago in San Francisco and continues to grow its business nationally. AutoReturn has been praised by cities and municipalities for bringing transparency and efficiency to what the notoriously disorganized business of municipal towing.  AutoReturn uses a proprietary computerized system and software that allows the company to efficiently tow vehicles, reducing time and manpower of police departments and municipal staff while at the same time creating fast and efficient service in returning cars to owners. AutoReturn is expected to continue to grow as other municipalities, police departments, city and regional government review the advances that AutoReturn has made to the industry.

About AutoReturn

AutoReturn is the leader in municipal towing management and logistics solutions, partnering with municipalities and existing local tow operators to help achieve efficiency, superior service, and increased cost recovery. Founded in 2002 as a technology-enabled towing management and logistics company, AutoReturn has revolutionized municipal towing, making sizable investments in technology, repeatable processes, training programs and other infrastructure. Learn more at


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Revolutionary Island: Tales of Cuban History and Culture, The Sarah and Darius Anderson Collection January 19–March 24, 2013

“Nothing in Cuba is what it appears,” says Darius Anderson and he should know from his 25 plus years traveling to that fascinating island. From January 19-March 24, 2013,  Anderson’s passion for Cuba will be reflected in a new exhibit coming to the Sonoma Valley Museum of Art ( Revolutionary Island: Tales of Cuban History and Culture The Sarah and Darius Anderson Collection.

“A culture is expressed through its art,” said Kate Eilertsen, Executive Director of the Sonoma Valley Museum of Art.  “The works in this exhibition provide a profound and realistic assessment of revolutionary to present-day Cuba. Some of the works are powerfully moving, like a series of near life-sized paintings of everyday Cuban people doing everyday things, but all under water. The impact comes when you find that every one of these people of all ages—men, women, even children—have died attempting to cross over by sea to Florida. This personalizes an ongoing tragedy still relevant today.”

The Sarah and Darius Anderson Collection demonstrates that passion with objects as diverse as paintings, sculpture, humidors and more. Through this dynamic and diverse collection viewers will see not only art work illustrating the desire to express non-conformity, or even a sly, knowing wink to the savvy viewer, but also the passion for baseball, love of tobacco and a collection of historic documents that will illustrate the stories that make up the culture and history of this island of revolution.

“Just the word Cuba evokes a passion within me that draws me back every time,” said Darius Anderson.  “At the young age of fourteen my family introduced me to the adventures of Sonoma’s greatest son, Jack London. His love and interest fueled my obsession in all things Cuba. At age sixteen I learned that Jack traveled to Cuba on his honeymoon — I told myself that one day, I too would visit that exotic place. This is the land Christopher first landed in the new world. It’s history includes stories of great riches, heartbreakingpoverty, battling ideologies, respect and love of the arts. Most importantly it is a history that is steeped in sugar, rum, tobacco and baseball — all my favorite vices.”

According to famous Cuban artist Ibrahim Miranda, “Our insular condition has been a decisive factor in our culture, influencing our myths, fantasies and our national psyche. The sensation of being isolated, separated from everyone, floating in the middle of the sea, has been a strong stimulus to the imagination of Cuban artists.”

This exhibition will feature Cuban artists: Rene Francisco, Esterio Segura, Ruben Alpizar, Carlos Valera (musician) and many more.

With more than 1,000 members, the Sonoma Valley Museum of Art (SVMA) is the largest visual arts organization in the San Francisco North Bay region. It was incorporated in 1998 as a 501(c)(3) non-profit organization to promote the creation, exhibition, and collection of fine arts, to provide a venue for art exhibition in Sonoma, and to offer educational opportunities for people of all ages. It occupies an 8,000-square-foot space at 551 Broadway, just one-half block south of the historic Sonoma Plaza.  The Museum purchased the building in early 2001, and completed extensive renovations in March 2004.

A special members’ preview will be held Friday, January 18 at 5pm. Special programs and events will be held throughout the exhibition. The exhibition will open to the public Saturday, January 19, 2013. Museum hours are Wednesday–Sunday from 11am to 5pm. More information about the Sonoma Valley Museum of Art is available at  or by calling (707) 939-7862.

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Mayor Lee Announces First Investment In Affordable Housing & Down Payment Assistance Funding From Housing Trust Fund

Investment Result of Voter-Approved Housing Trust Fund, Proposition C

Mayor Edwin M. Lee today announced the first funding commitments for affordable housing and down payment assistance funded through the Housing Trust Fund, passed by San Francisco voters in November. The Housing Trust Fund provides a permanent source of revenue to fund the creation of affordable housing for low and middle income households for the next 30 years.

“A growing and vibrant economy requires a diverse supply of new housing,” said Mayor Lee. “San Francisco voters know that creating a permanent source of revenue to fund housing production will allow San Francisco to remain a viable place to live and work for people at all levels of the economic spectrum. And, a down payment assistance program will help keep families in our City and support a diverse workforce.”

The first affordable housing project funded from the Housing Trust Fund is the long-stalled 55 Laguna Senior Housing project located on the former University of California Berkeley Extension campus in the Hayes Valley neighborhood. The project is funded by the Mayor’s Office of Housing (MOH) at $6.1 million and is a joint-venture of Mercy Housing California and Openhouse. It will create 110 units of affordable housing for low income seniors. The project has been on hold for eight years due to the downturn in the economy and a lack of local resources.

“We are very excited that the City has been able to commit the funding to this important project to allow us to move toward start of construction in the summer,” said Mercy Housing California President Douglas Shoemaker. “It’s an honor to be the first affordable housing project funded with revenue from the Housing Trust Fund.”

This announcement comes on the heels of a number of important affordable housing milestones, including:

  • Soon to be completed Kelly Cullen Community – 172 new SRO units of housing for the formerly homeless in the historic Central YMCA building at 220 Golden Gate Avenue, that will also house a new Integrated Health and Homeless Clinic run by the Department of Public Health;
  • Soon to be completed Veterans Commons at 150 Otis – 76 new SRO units in a historic City-landmarked building that will serve homeless U.S. veterans with support services including case management, mental health counseling, drug dependency, and employment programs will be provided by the City’s Human Services Agency, the Veterans Administration, and Swords to Plowshares; and
  • Bond closing for Candlestick Heights – located in the Bayview, Candlestick Heights, the project will provide 196 units of affordable housing, constructed entirely without City subsidy.

Additionally, Mayor Lee announced an increase to assistance limits under the City’s Downpayment Assistance Loan Program (DALP). DALP provides financial assistance to qualifying first-time homebuyers through deferred payment loans that are repaid to the City. Earlier this year, the maximum amount of the loan was reduced to $70,000 per household due to lack of funding. With the passage of Proposition C, the limits have been returned to their original levels of $100,000 per household.

The Housing Trust Fund begins with a general fund revenue capture in year one of $20 million and increase to $50 million over time. It is estimated that $1.5 billion will be invested in affordable housing production and housing programs over the next 30 years. The Housing Trust Fund will:

The Housing Trust Fund begins with a general fund revenue capture in year one of $20 million and increase to $50 million over time. It is estimated that $1.5 billion will be invested in affordable housing production and housing programs over the next 30 years. The Housing Trust Fund will:

  • Develop more than 9,000 units of permanently affordable housing for residents whose average median income (AMI) is 60 percent or below;
  • Create incentives for onsite below market rate housing and make housing more accessible for moderate income families;
  • Invest at least $15 million over the first five years to expand the City’s down payment assistance program (DALP) which provides interest-free loans to moderate income homebuyers who are looking to purchase their first home in San Francisco. DALP will also include a new program to assist the City’s first responders in the purchase of a home in San Francisco;
  • Create a Housing Stabilization Program to help distressed low and moderate income residents remain in their homes; and
  • Create a Complete Neighborhoods Infrastructure Grant program to fund public realm improvements such as “pocket” parks and child care facilities for growing neighborhoods.

The Housing Trust Fund will capture revenue from former Redevelopment Agency (RDA) Tax Increment, a small portion of Hotel Tax that has been appropriated yearly for affordable housing, plus an additional $13 million in new General Fund revenue from an increase in business license fees. The consensus business tax reform measure, Proposition E, which also passed on the November ballot, will generate $28.5 million in the first year – $13 million of which will go to fund affordable and workforce housing.

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Cell Towers Find An Unexpected New Home In Oakland

Inside the bell tower of the Church of St. Leo the Great, constructed in 1926 on a corner of Piedmont Avenue in Oakland, isn’t the obvious spot for a cell antenna, but that’s where AT&T installed one.

Across the state, wireless companies are installing an increasing number of cell sites inside church steeples and bell towers. With the growing use of tablets, smartphones and other wireless devices, the wireless industry has approached churches because of their height and residential locations, where putting new towers would be difficult.

The practice has created additional work for property tax assessors, who are responsible for determining how much of the church’s property is no longer tax-exempt. Churches and other nonprofits often are exempt from property taxes, but only if the property is used for religious or charitable purposes. If property is used for commercial purposes, such as leasing space for a cell tower, tax assessors must charge the organizations.

For most churches, the extra revenue for hosting the cell towers generally exceeds the hit they might take from increased property taxes. Leases can range from $2,000 to $4,000 per month, depending on the church’s location. Officials at the Church of St. Leo the Great did not respond to requests for comment about their lease.

At Canyon Creek Presbyterian Church in San Ramon, a contract with T-Mobile brings in between $25,000 and $30,000 a year for the church, said Pastor Martin Scales. The church approached cell companies when it was constructing a new building six years ago because it knew the companies were having trouble putting antennas in the area.

Although the church lost part of its property tax exemption, the cell site revenue puts it ahead financially, Scales said. And it’s a solution for cell companies looking to place antennas.

“Nobody can tell that they’re there unless they’re sharped-eyed and looking for them,” Scales said.

An AT&T spokeswoman said the company has worked with a lot of churches and is committed to camouflaging the infrastructure so that it blends with the community. T-Mobile prefers to install antennas on existing structures whenever possible, spokesman Steve Caplan said in a statement.

Amy Storey, spokeswoman for CTIA – The Wireless Association, said many wireless companies are grappling with increasing demand.

“The industry looks to all types of existing structures in addition to church steeples – fire stations, hospitals, etc., in neighborhoods where there is growing demand and a shortage of suitable sites for new towers,” she said in a statement.

The difficulty of installing new towers in neighborhoods where residents often object to them has spawned an offshoot industry – several companies now specialize in disguising cell sites.

“California is really the hotbed of concealment,” said Chris Hills, the western region sales manager for Stealth Concealment Solutions. “There’s more concealment there than anywhere in the world.” The company has installed cell sites in flagpoles, church steeples, trees and boulders on behalf of all the major service providers, he said.

No one tracks how many churches in California have installed cell sites statewide, so it’s difficult to estimate how many have had their property taxes increased.

In any case, churches lose only a fraction of their tax exemption, determined either by the square footage leased to the cell company or the value of the lease. It isn’t clear how much additional revenue counties might be collecting. But enough assessors were asking questions about the church leases that the California State Board of Equalization issued guidelines in 2008 to help county assessors determine how much churches should pay in property taxes.

In San Diego County, how much more property tax a church has to pay depends on the income it is receiving from the cell company. If a lease is for $100,000 and the assessed property value of the church is $1 million, for example, it would lose one-tenth of its exemption, said Jeff Olson, division chief of assessment services at the San Diego County assessor’s office.

Just finding the cell towers can require some detective work on the part of county assessors.

“Most churches don’t realize that that would affect their exemption,” said Eric Gayden, a senior assessment technician at the Orange County Assessor Department.

The Alameda County assessor’s office usually learns about the new cell sites through permits filed by the cell companies when they’re installing the antennas, said Brian Hitomi, the chief deputy assessor.

Hitomi said the county is still processing the permit filed by AT&T for the cell site at Church of St. Leo the Great, so it hasn’t seen any increase in property taxes yet.

This article comes to us courtesy of California Watch and the Huffington Post.

By Kendall Taggart

Kendall Taggart is an investigative reporter for California Watch, a project of the nonprofit Center for Investigative Reporting. 

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SFMOMA Receives Gifts That Include Over 470 Photographs

Artworks Pledged to Collections Campaign Deepen Museum’s Renowned Photography Holdings

Shomei Tomatsu, Eiko Ôshima, Actress in the Film Shiiku 

The San Francisco Museum of Modern Art (SFMOMA) announced today promised gifts of 473 photographs from three separate collectors, adding significant new depth to the museum’s holdings in 20th-century American and Japanese photography. A pledge of twenty-six photographs by Diane Arbus from San Francisco collector and gallerist Jeffrey Fraenkel doubles SFMOMA’s holdings of work by the artist and continues the museum’s dedication to collecting artists in depth. Two additional gifts—one from an anonymous donor, the other from the Kurenboh Collection in Tokyo—strengthen, in particular, the museum’s collection of works by Japanese photographers; the nearly 350 Japanese works included in these gifts cement SFMOMA’s standing as home to the largest collection of Japanese photography in the United States. The three gifts announced today also include photographs by other important artists already held in SFMOMA’s collection—such as Robert Adams, Robert Frank, Lee Friedlander, Nan Goldin, Andreas Gursky, Irving Penn, and Garry Winogrand.

SFMOMA was one of the first museums to collect and present photography as an art form, and 75 years later it continues to be home to innovative scholarship and exhibitions of the medium. Together with the museum’s existing collection of more than 16,000 photographs—its largest collection of objects—these gifts will expand opportunities for the public to encounter and understand the history of photography, and further affirm SFMOMA’s long-held position as a leader in the field.

“We are extremely grateful for the generosity of these collectors, who share our vision for a dynamic forum for photography at the museum,” said SFMOMA Director Neal Benezra. “The gifts to our Collections Campaign represent a major step forward in our photography program. They also contribute to the qualitative and quantitative growth of SFMOMA’s collection, which is both a stimulus for and a result of the museum’s upcoming expansion.”

SFMOMA Senior Curator of Photography Sandra S. Phillips said, “These extraordinary photographs make it possible to present important artists in the collection in even greater depth and context, and promote further synergy between our collection and our ambitious exhibitions program. The Arbus gift adds to our growing list of artists who are comprehensively represented in SFMOMA’s collection, while the Japanese works make our collection the best of its type in the country.”

The 26 works from an untitled series that Diane Arbus made at residences for the mentally disabled between 1969 and 1971—her largest body of pictures—represent a significant departure for the artist, displaying an unprecedented gravitas. The group of photographs adds to SFMOMA’s existing holdings of Arbus’s work and is a gift that recognizes the museum’s groundbreaking role as the organizer of the 2004 exhibition Diane Arbus Revelations, the first comprehensive survey of the artist’s photographs in more than 30 years and the first fully supported by her family and estate.

Highlights of the second promised gift of 185 photographs, from a donor who wishes to remain anonymous, include 80 iconic pictures by major Japanese photographers Nobuyoshi Araki, Masahisa Fukase, Rinko Kawauchi, Yasumasa Morimura, Daido Moriyama, Hiroshi Sugimoto, Shōmei Tōmatsu, Hiroshi Yamazaki, and Kohei Yoshiyuki, many of which were included in SFMOMA’s 2009 exhibition The Provoke Era: Postwar Japanese Photography. Another highlight of the gift is a rare and important series of photogravures by Takuma Nakahira entitled La nuit, originally printed for an exhibition at the Sixième Biennale de Paris in 1969.

The third gift of 262 photographs comprises exceptional prints and publications from the Kurenboh Collection, based in Tokyo. Spanning the 1930s to the present, the Kurenboh group features works by renowned artists Naoya Hatakeyama, Daido Moriyama, Shōmei Tōmatsu, and Ken Morisawa, as well as numerous pictures by emerging and contemporary Japanese photographers whose work has yet to debut in the United States, such as Masumi Kura, Toshiya Murakoshi, and Keiko Sasaoka. The gift has breadth as well as significant depth, with many artists represented by concentrations of work from various series. In addition to artworks, the Kurenboh donation includes a remarkable collection of nearly 800 rare publications—monographs, exhibition catalogues, and serials—which will allow the museum to establish the Kurenboh Collection at the SFMOMA Research Library.

About SFMOMA’s Collections Campaign

Initiated in January 2009 in conjunction with the museum’s 75th anniversary, SFMOMA’s Collections Campaign went public in February 2011 with the announcement of 195 promised gifts of art from nine leading Bay Area collectors, who are spearheading the campaign to strengthen the museum’s collection. The pledges encompassed major works by artists such as Robert Adams, Joseph Beuys, Robert Gober, Eva Hesse, Jasper Johns, Ellsworth Kelly, Bruce Nauman, Jackson Pollock, Ed Ruscha, Cindy Sherman, and David Smith; and spanned all media, including modern and contemporary painting, sculpture, photography, design, and video. The campaign is led by a committee chaired by longtime patrons Helen Schwab and Robin Wright, and its members include Trustees Carla EmilBob FisherMimi HaasDavid MahoneyChara SchreyerNorman Stone, and Pat Wilson.

About SFMOMA’s Expansion

Developed by architectural firm Snøhetta in collaboration with SFMOMA and EHDD of San Francisco, the museum’s expansion project—expected to be completed in 2016—will significantly enhance gallery and education spaces, enabling SFMOMA to better showcase its expanded permanent collection and serve its growing audiences. In November 2011, SFMOMA unveiled design details featuring free-access ground-level galleries and public spaces, and new educational areas. The public can stay up to date on the latest expansion news by visiting the expansion section of SFMOMA’s website at


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The San Francisco Symphony Celebrates The New Year With Its Annual New Year’s Eve Masquerade Ball Monday, December 31 at 8 P.M. at Davies Symphony Hall

Celebration includes SF Symphony Orchestra performance, dancing to The Martini Brothers, Super Diamond, and The Peter Mintun Orchestra, and cocktail party with desserts and savories in the auditorium and lobbies of Davies Symphony Hall

The San Francisco Symphony welcomes 2013 with its annual New Year’s Eve Masquerade Ball December 31, 2012. Michael Francis  leads the Orchestra and soprano Susanna Phillips  in a concert with the Orchestra of well-loved waltzes, and masked party-goers dance the night away before and after the Orchestra’s performance to the big band sounds of the Peter Mintun Orchestra, the swing music of the Martini Brothers, and Super Diamond playing Neil Diamond covers. Revelers anticipate the countdown to 2013 with complimentary sparkling wine, beginning right after the Orchestra concert, and culminating in a celebratory toast and a massive balloon drop at midnight. 

The December 31 event stars the San Francisco Symphony, conductor Michael Francis, soprano Susanna Phillips , and members of Dance Through Time. Everyone attending the event receives a complimentary mask as they enter the beautifully decorated lobby. Beginning at 8 p.m., The Martini Brothers   entertain and perform their “swingin’ cocktail music” in the lobby. Starting at 9 p.m., the San Francisco Symphony, led by Francis, performs with dancers from Dance Through Time on stage in Davies Symphony Hall.

Following the Symphony concert, guests are invited to celebrate and dance on the Davies Hall stage to The Peter Mintun Orchestra. Super Diamond, covering the hits and gems of Neil Diamond, entertains in the First Tier lobby. Immediately following the Symphony performance, guests enjoy complimentary sparkling wine, desserts, savories, and party favors. As the clock strikes midnight, 2,013 colorful balloons cascade from the ceiling and the crowd welcomes in 2013.

A special pre-concert dinner package includes a cocktail reception beginning at 6 p.m. followed by a sumptuous three-course dinner (wine included) in the lobby of the War Memorial Opera House. The dinner package also includes sparkling wine served in the Loge Level lobby at intermission. Dinner packages begin at $160. Parking is included. Call the Davies Symphony Hall box office for more details on the special pre-concert dinners at (415) 864-6000, or visit

Susanna Phillips received the Metropolitan Opera’s prestigious 2010 Beverly Sills Artist Award. This season, her fifth at the Met, she performs as Donna Anna in Mozart’s Don Giovanni. She sings the role of Stella in Previn’s A Streetcar Named Desire at Carnegie Hall, and makes her solo recital debut there.

Michael Francis is a San Francisco Symphony audience favorite, having conducted the 2011 New Year’s Eve Masquerade Ball concert and the 2011 and 2012 Summer & the Symphony classical concerts.


Monday, December 31 at 9 pm

Davies Symphony Hall, 201 Van Ness Avenue


Orchestra program:
Michael Francis conductor
Susanna Phillips soprano
Dance Through Time dancers
Members of the San Francisco Symphony

Strauss, Jr. Overture to Die Fledermaus
Tchaikovsky (arr. Stravinsky) Bluebird Pas de deux from The Sleeping Beauty, Opus 66
Strauss, Jr. Voices of Spring Waltz, Opus 410
Elgar Chanson de Nuit
Strauss, Jr. Perpetuum Mobile, Opus 257
Delibes Dance of the Automatons and Waltz from Coppelia, Suite No. 1
Rodgers (arr. Walter) Carousel Waltz from Carousel
Gershwin “Summertime” from Porgy and Bess
Herbert “Italian Street Song” from Naughty Marietta
Strauss, Jr. By the Beautiful Blue Danube Waltz, Opus 314

Post-Concert Performances:

The Peter Mintun Orchestra with dancing on the Davies Symphony Hall stage
Super Diamond in the First Tier lobby

$85-$195. Tickets are available at 415-864-6000, or the Davies Symphony Hall Box Office  on Grove Street between Van Ness Avenue and Franklin Street in San Francisco. Order a special pre-concert dinner package and enjoy a cocktail reception beginning at 6pm followed by a 3-course dinner in the lobby of the War Memorial Opera House. Dinner packages also include complimentary sparkling wine at intermission in the Loge level lobby and begin at $160. To reserve your place at the pre-concert dinner, call 415-864-6000.

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Bernadette Peters And Her Band Perform With Members Of The San Francisco Symphony At Davies Symphony Hall Friday, March 29 At 8 Pm

Singer and actress Bernadette Peters performs standards and her hits from a decades-long career in musical theater, on the concert stage, and in television and film, Friday, March 29, 2013 at Davies Symphony Hall in San Francisco. Accompanied by her band and members of the San Francisco Symphony, Peters will perform signature American songbook classics by Stephen Sondheim and Rodgers and Hammerstein, among others. Tickets are on sale Tuesday, November 27 at 10 a.m. through, by phone at 415-864-6000, and at the Davies Symphony Hall Box Office, on Grove Street between Van Ness Avenue and Franklin Street in San Francisco.

Long regarded as one of the premiere interpreters of the songs of Stephen Sondheim, Peters in 2011 performed on Broadway as Sally in the critically acclaimed production of Sondheim’s Follies, after a highly successful run at the Kennedy Center in Washington, D.C. Her performance in the role earned Peters her ninth Drama Desk award nomination; she has won the honor three times. In 2010, she starred in Sondheim’s Tony Award-winning masterpiece A Little Night Music opposite Elaine Stritch.

Peters has recorded six solo albums and several singles. Three of her albums have been nominated for the Grammy Award. She has recorded most of the Broadway and off-Broadway musicals she has appeared in, and four of these cast albums have won Grammy Awards. Her most recent recording is on the two-disc soundtrack to Follies (2011).

In 2003, Peters received her seventh Tony Award nomination for her portrayal of Momma Rose in Sam Mendes’ record-breaking Broadway revival of Gypsy, and her performance was captured on the Grammy award-winning Gypsy cast recording. She has won the Tony Award twice for her performances, and this year, Peters received her third Tony, The Isabelle Stevenson Award. This special Tony acknowledges an individual from the theatre community who has made a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations. Along with good friend Mary Tyler Moore, she co-founded Broadway Barks !, an organization that promotes the adoption of shelter animals. To support Broadway Barks!, Peters has written two children’s books, both illustrated by Liz Murphy. The first, “Broadway Barks,” is about a scrappy dog, named after her dog Kramer, and the pleasure of adopting a pet. Peters wrote the words and music to a lullaby, titled “Kramer’s Song,” which is included on a CD in the book.

Her recent screen credits include two guest appearances on NBC’s new TV hit series SMASH, which begins its second season in February 2013. She has also appeared in the Lifetime movie, Living Proof opposite Harry Connick, Jr.; a guest-starring role in the two-hour 2008 season premiere of the ABC-TV series Grey’s Anatomy, and a recurring role on Ugly Betty. Peters received an Emmy nomination for her performance in the hit TV series Ally McBeal. She has appeared in several performing arts specials, including Sondheim: A Celebration at Carnegie Hall, and also played an opera diva-on-the-verge-of-a-nervous-breakdown in Terrence McNally’s The Last Mile, both for PBS’ Great Performances series. Her seventeen films include Pennies From Heaven, for which she received a Golden Globe Award, The Jerk with Steve Martin, The Longest Yard with Burt Reynolds, and Silent Movie with Mel Brooks.

Friday, March 29, 2013 at 8 pm
Davies Symphony Hall
201 Van Ness Avenue

Tickets: $20-98. Tickets are available at , by phone at 415-864-6000, and at the Davies Symphony Hall Box Office, on Grove Street between Van Ness Avenue and Franklin Street in San Francisco.




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TJPA Approves Final Sales Agreement for Transbay Transit Tower Parcel

$190 Million sets record land value for City

Today the Transbay Joint Powers Authority (TJPA) Board of Directors finalized the agreement to sell TJPA property to Hines Corporation, paving the way for construction of the landmark Transbay Transit Tower. The State of California donated the Tower site to the TJPA for construction of the 61-story Tower, which will contain 1.4 million square feet of office space and serve as a beacon for the City’s Transit hub in the heart of downtown San Francisco.

Hines has agreed to purchase the 50,000 square foot Tower site, located directly north of the future Transit Center fronting on Mission Street, for more than $190 million.  On a per square foot basis, the sale price for the Tower site is the highest paid for a large development property in San Francisco history.

“This agreement marks another major milestone in the development of the new Transbay Transit Center,” said Executive Director of the TJPA, Maria Ayerdi-Kaplan. “The proceeds from the sale of the Tower site and other Transbay parcels will be invested directly into the Transbay Transit Center Program.  This historic project is creating jobs, stimulating economic growth in our City and region, giving back to the community, creating housing, and helping the environment.”

The Transbay Tower and the Transit Center are both designed by Pelli Clarke Pelli, the architecture firm chosen in a 2007 design and development competition.  At 1,070 feet, the Tower is slated to be the tallest building on the West Coast and will transform the skyline of downtown San Francisco.  The approval of the purchase and sale agreement comes on the heels of the San Francisco Planning Commission’s approval of the tower height.

“The Transit Center and Tower are two projects that are transforming transportation in our City as well as transforming the SoMa neighborhood,” said Mayor Ed Lee. “The TJPA’s newest transaction to advance these two projects is critical to the investment in the future of San Francisco.”

The Transbay Transit Center, known as the “Grand Central Station of the West,” is a revolutionary transportation facility that will transform the South of Market District into the new heart of downtown San Francisco. The Transit Center will connect eight Bay Area counties and 11 transit systems, including future High Speed Rail. The money from the purchase of the Tower parcel will help fund construction of this state-of-the-art, LEED Gold facility and national model for transit-oriented development. The $4.2 billion project is scheduled to be completed in the fall of 2017.

A ground break date for the Transbay Transit Tower has not yet been determined.


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Independent Living Resource Center Launches New Website and Capital Campaign

The Independent Living Resource Center San Francisco (ILRCSF) has unveiled a new website ( and launched a capital campaign to raise funds for a planned move to a fully accessible, ground-floor space in the heart of the City’s SOMA district.

ILRCSF is San Francisco’s only cross-disability organization operating under the Independent Living philosophy; a movement, which asserts that people with disabilities are the best experts on their needs. ILRCSF holds that people with disabilities must organize themselves for political power, and that taking the initiative to design and promote better solutions for their inclusion is the best way to achieve full access. Since 1976, ILRCSF – staffed almost entirely by people with disabilities – has offered support, advocacy, and information regarding the rights of people with disabilities to individuals, educational institutions, and the small business community.
“The San Francisco Independent Living Resource Center has never wavered in its commitment and resolve to make our community accessible for all,” says Anne Hinton, Executive Director of the Department of Aging and Adult Services for the City and County of San Francisco.
Programs at ILRCSF include everything from peer counseling and help with assistive technologies, to economic empowerment workshops and accessible housing advocacy. In recent years, the agency has expanded outreach to include a program geared towards youth empowerment and has now become home to a number of peer support groups including a Veterans’ Art Guild, in which military veterans living with service-related disabilities work on creative projects ranging from photography and sculpture to creative writing.
“Our primary focus has always been to make the greater community a more accessible, livable place for people with disabilities,” explains ILRCSF Executive Director Jessie Lorenz. “It is becoming increasingly clear that the best way to achieve that end is to foster opportunities for people with disabilities to connect with one another, to develop community, and to become engaged advocates.”
Their new website at has been designed to increase community participation and engagement, and the campaign to fund their move to a fully accessible location are the most recent steps ILRCSF has taken to meet the growing needs of the consumers they serve.
“This is an exciting time for us. We’re about to embark on an journey that revolves around a large, state-of-the -art, purpose-built, ground floor level, fully accessible Independent Living Center in an area where people live, work, and raise families,” said ILRCSF Board President Arnie Lerner. “By welcoming people of all abilities into a space designed with their needs in mind, and with plenty of room to grow, we are taking the first steps towards becoming an incubator and community center where the Independent Living Movement can build the next generation of leaders who will be empowered and engaged citizens who are fully integrated in their communities.”
For more information visit
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City Arts & Lectures Announces the Line-up for “On Art & Politics 2013″

City Arts and Lectures 7-event series “On Art and Politics” features leading writers and thinkers on a range of topics, from sociology to literary fiction, a theatre performance—and, a “last waltz” special event celebrating our 32 years at the Herbst Theatre as we move our programs to the newly renovated Nourse Theatre nearby.  Tickets ($20-$27) are currently available to City Arts members only and will go on sale to the general public December 3.

All shows are 7:30pm at the Herbst Theatre.  To purchase tickets or for more info, visit <>

A Celebration of Harold Pinter: A Theatrical Portrait of the Late Playwright <>
Performed by Julian Sands | Directed by John Malkovich
Monday, January 14, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

Jared Diamond in conversation with Roy Eisenhardt <>
Thursday, January 24, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

Al Gore in conversation with Barbara Kingsolver
<> Tuesday, February 12, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

Jamaica Kincaid in conversation with Frances Phillips <>
Wednesday, February 13, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

Joyce Carol Oates in conversation with Robert Hass <>
Tuesday, March 5, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27\

Daniel Kahneman <>
Tuesday, April 2, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

Alison Bechdel in conversation with Julia Bryan-Wilson <>
Thursday, April 4, 2013, 7:30 pm
Venue: Herbst Theatre
Tickets: $22/$27

The Last Foxtrot: Celebrating 32 Years at the Herbst Theatre <>  *Special Event
Garrison Keillor, Calvin Trillin & friends, with music by Peter Duchin
Tuesday, April 30, 2013, 7:30 pm
Tickets: $40/$50

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Bay Area Marks World AIDS Day with Events and Education

Here are some of the events going on in the Bay Area to mark World AIDS Day on December 1:

8:40 a.m.: “Charting the Way Forward,” a lecture by Dr. Diane Havlir, as part of the medical management of HIV/AIDS Conference
Location: Intercontinental Hotel, 888 Howard St., San Francisco

10 a.m.: Unveiling and Reception for AIDS Memorial Quilt
Location: 225 37th Ave., San Mateo

Noon: San Francisco General Hospital Wards 5A, 5B, 86 honored with Local Unsung Hero Award
Location: National AIDS Memorial Grove, Golden Gate Park, Bowling Green Drive, San Francisco

Noon: Free HIV Testing
Location: Monterey Institute of International Studies, Holland Center, 460 Pierce St., Monterey

12:10 p.m.: Special service to be held for World AIDS Day
Location: Grace Episcopal Cathedral, 1100 California St., San Francisco

5 p.m.: Candlelight Vigil
Location: Monterey Institute of International Studies, Holland Center, 460 Pierce St., Monterey

5 p.m.: Free HIV Testing, part of “Paint the Castro Red.”
Location: Qbar, 456 Castro St., San Francisco

6 p.m.: Assemblyman Bill Monning to appear at World AIDS Day Panel of Presenters
Location: CSU Monterey Bay, 100 Campus Center, Seaside

6:30 p.m.: Candlelight Vigil, part of “Paint the Castro Red.”
Location: Harvey Milk Plaza, Castro and Market streets, San Francisco

7 p.m.: World AIDS Day screening of “Still Around.”
Location: Roxie Theater, 3117 16th St., San Francisco

7:00 p.m. AIDS Emergency Fund 30th Annivesary Gala UNDER THE BIG TOP with Martha Wash                  Location: AIDS Memorial Grove, Golden Gate Park

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Arthur Beren Shoes Supports Project Open Hand This Holiday Season

Arthur Beren Shoes, a retail luxury shoe store located in San Francisco’s Union Square, is excited to announce that it will be raising money for Project Open Hand this holiday season through a joint promotion on Facebook.  Through the months of November and December, for every new sign up on Facebook, Arthur Beren Shoes will donate $5 to Project Open Hand up to a total amount of $5,000.

In addition, each entrant will also have the opportunity to win a free pair of shoes valued up to $500 in our random shoe giveaway.


About Project Open Hand

Project Open Hand is a nonprofit organization that provides meals and groceries for people with symptomatic HIV/AIDS and breast cancer and meals for people who are homebound and critically ill. They also prepare congregate lunches for seniors over 60 years of age. They serve San Francisco and Alameda Counties, engaging more than 100 volunteers every day to nourish the community. Learn more at

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The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) presents SILENCE (January 30 – April 28)

In today’s digitized world, silence is increasingly elusive. For composer John Cage, the absence of sound was not merely elusive, it was impossible. His groundbreaking composition 4’33” contained no actual music, but instead called attention to the ambient sounds surrounding the performance and its audience. He asserted “there is always something to see, something to hear.” On the occasion of Cage’s hundredth birthday, Silence presents nearly a century of modern and contemporary art and film to examine the spiritual, existential, and political aspects of silence.

Co-organized by the UC Berkeley Art Museum and Pacific Film Archive (BAM/PFA) and The Menil Collection in Houston, Silence presents a broad range of works, including iconic pieces by Joseph Beuys, Giorgio de Chirico, Marcel Duchamp, René Magritte, Christian Marclay, Robert Rauschenberg, Doris Salcedo, Andy Warhol, and many other leading artists. Ranging from uncanny to incantatory to experiential, the works on view are not all without sound, but all invoke silence to shape space or consciousness. The film program, which boasts works by Ingmar Bergman, Stan Brakhage, Maya Deren, and Nam June Paik, among others, traces the use of silence and sound in experimental cinema, from the tradition of silent films, to the malleable use of sound, to works that seek to unify the source of both image and sound.

List of Artists and Filmmakers

Rebecca Baron, Ingmar Bergman, Joseph Beuys, Manon de Boer, Stan Brakhage, Marcel Broodthaers, John Cage, Pat Collins, Maya Deren, Theresa Hak Kyung Cha, Giorgio de Chirico, Ingar Dragset, Marcel Duchamp, Michael Elmgreen, Douglas Goodwin, Philip Gröning, Tehching Hsieh, Warner Jepson, Jennie C. Jones, Jacob Kirkegaard, Rudy Lemcke, René Magritte, Mark Manders, Christian Marclay, Darrin Martin, Van McElwee, Robert Morris, Kurt Mueller, Bruce Nauman, Nam June Paik, Amalia Pica, Robert Rauschenberg, Steve Roden, Robert Russett, Doris Salcedo, Tino Sehgal, Semiconductor, Barry Spinello, Stephen Vitiello, Andy Warhol, Scott Wolniak, Martin Wong.

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Mayor Lee’s Statement Commemorating Transgender Day of Remembrance

Mayor Edwin M. Lee today issued the following statement on the 14th Annual Transgender Day of Remembrance:

“Today we memorialize those who have been killed because of intolerance, and bring needed attention to the continued bullying, harassment, discrimination and violence endured by the transgender community.

Throughout the world, the Transgender Day of Remembrance provides a public forum to mourn, honor and memorialize the lives of the transgender community who might otherwise be forgotten. This Day of Remembrance serves as a reminder for all San Franciscans that transgender people are our brothers, sisters, sons, daughters, parents, spouses and friends.

In San Francisco, we continue to make landmark progress to ensure equal rights and access to quality education, healthcare and employment for the transgender community. We will continue to make sure that no one is subjected to violence, discrimination or hatred simply because of one’s gender identity and no one should be denied the basic rights that ensure their safety and security. These are the values of our City and we will never forget.”

In honor of the transgender individuals who lost their lives because of hatred, Mayor Lee has proclaimed today as Transgender Day of Remembrance Day in San Francisco. The 2012 Transgender Day of Remembrance also marks the 10th anniversary of the death of Gwen Araujo who died in a hate crime that shocked the Bay Area community, led to a prolonged murder trial and drew a national spotlight on the violence faced by the transgender community, particularly transgender women of color. While much progress has been made in the last 10 years in the area of transgender rights, anti-transgender violence sadly remains.



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Cal Performances Presents Two-Day Symposium On Music Education November 28 And 29 As Part Of The Jan Shrem And Maria Manetti Shrem Orchestra Residency

“Reaching for the Stars: A Forum on Music Education” Features 
Conductor Gustavo Dudamel and El Sistema’s Founder Dr. José Antonio Abreu, Gillian Moore from London’s South Bank Centre and Cal Performances’ Director Matías Tarnopolsky Among Other Celebrated Panelists

Cal Performances continues its important program of orchestras-in-residence on the UC Berkeley campus with the Jan Shrem and Maria Manetti Shrem Orchestra Residency featuring Gustavo Dudamel and the Simón Bolívar Symphony Orchestra (SBSOoV) November 28 and 29.  In recognition of the crucial importance of music education, a centerpiece of the orchestra’s visit is a two-day conference on music education, “Reaching for the Stars.” The conference, chaired by renowned teaching artist Eric Booth, features a panel of esteemed music educators and speakers from around the country and the world including Gustavo Dudamel and Dr. José Antonio Abreu with discussion and workshops focusing on El Sistema programs and methods in Venezuela and around the world.

The “Reaching for the Stars” conference and the Simón Bolívar Symphony Orchestra residency serves as an inspiration and launching point for Cal Performances to announce the start of TEMPO – Teens Empowered by Music Performance Opportunities – a new program designed to enrich the lives of teens by providing them with opportunities to create music and experience performances by the world’s most accomplished artists.  In this inaugural session, students will encounter orchestral music and Venezuelan culture, make music together and attend a performance of SBSO.

The Orchestra Residency also includes performance opportunities for UC Berkeley’s University Chorus and the Pacific Boychoir, a master class with the UC Berkeley Symphony Orchestra led by Maestro Dudamel, a SchoolTime performance and the chance to experience Maestro Dudamel and the Simón Bolívar Symphony Orchestra of Venezuela in two concerts at 8 p.m Thursday and Friday, November 29 and 30 in Zellerbach Hall.  The concert program is a departure from the European orchestral canon, showcasing works from Latin America by Heitor Villa-Lobos, Carlos Chávez, Julián Orbón, Silvestre Revueltas, Esteban Benzecry and Antonio Estévez.

“During this residency we will discover for ourselves, through our conference on music education, ‘Reaching for the Stars,’ the essential nature of music education and how it transforms lives,” said Matías Tarnopolsky. “It is an honor to work with Gustavo Dudamel, Dr. Abreu and the musicians of the Simon Bolivar Symphony Orchestra of Venezuela as we explore how the amazing possibilities they have created with El Sistema might find root in our communities.”

“For the children that we work with, music is practically the only way to a dignified social destiny,” says José Antonio Abreu, the orchestra’s founder and a leader in the music education conference. “Poverty means loneliness, sadness, anonymity. An orchestra means joy, motivation, teamwork, the aspiration to success. Led by the charismatic Dudamel, a graduate of the El Sistema system, the orchestra is the embodiment of the power of music education to transform lives and future possibilities.”

Award-winning teaching artist Eric Booth leads “Reaching for the Stars: A Forum on Music Education” which also features renowned panelists such as conductor Gustavo Dudamel, Dr. José Antonio Abreu who is the founder of the resident orchestra as well as Venezuelan music education program El Sistema, Gillian Moore of London’s Southbank Centre, Leni Boorstin of the Los Angeles Philharmonic, Stanford Thompson of Philadelphia’s Play on Philly in addition to Cal Performances Director Matías Tarnopolsky.

Affordably priced at only $15 per day, “Reaching for the Stars” was created with musicians and educators in mind and is also open to the general public.

The conference begins with “The Transformative Power of Music,” an overview of the music education landscape with contributions from practitioners from around the world, from 1:30-6 p.m. on Wednesday, November 28, followed by “Bringing the Work Forward: The Possibilities for a Musical Education,” focusing on how to have an impact in local schools, from 12-6 p.m. on Thursday, November 29. The Thursday discussion will culminate in a workshop, “What’s Possible: El Sistema and What it Opens For Us.”

Registration and detailed information is available at


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California Center for Sustainable Energy Roadshow Guides Californians to Home Energy Savings

Center for Sustainable Energy’s mobile Energy Center travels around California.


The California Center for Sustainable Energy (CCSE) wrapped up the Energy Upgrade California Roadshow on Sunday, Nov. 18 in Cupertino, California, the eleventh stop on the energy education tour. The program, Energy Upgrade California, took energy education for homeowners on the road with the Energy Upgrade California Roadshow, a statewide mobile exhibit on energy efficiency. The roadshow started in San Diego on Nov. 1 and ended in Cupertino last Sunday reaching hundreds of homeowners throughout the state.

The Roadshow spent the last two weeks of November traveling the state to educate homeowners on the Energy Upgrade California program, how to increase home efficiency, provide energy cost savings and improve home comfort.

The roadshow made eleven stops in nine cities including Woodland Hills, Pacific Palisades, Lompoc, Santa Barbara, Sacramento, San Francisco, Antioch, Oakland and Cupertino. The stops included local farmers markets, community workshops and UC Santa Barbara. In the Bay Area, the Roadshow stopped at the Greenbuild Global Conference in San Francisco, a Contra Costa Homeowner Workshop at the Antioch Community Center, Oakland Tech High School and Sears at the Vallco Shopping Center in Cupertino.

Energy Upgrade California provides a “whole house” approach that focuses on a house as a system and looks at how various elements affect energy use. The program presents residents with an array of improvements to increase home health, comfort and safety while saving money on their utility bills.

The program educates homeowners on basic improvements to increase home efficiency and provides eligible homeowners a chance to sign up for an assessment, the first step towards improving their home and receiving rebates. Rebates range from $1,000 to $4,000 depending on the energy savings achieved.

Eligible California homeowners can sign up for a home assessment by visiting the Energy Upgrade California website at and typing in their county name or zip code.

About Energy Upgrade California

Energy Upgrade California™ is a program of the California Public Utilities Commission and California Energy Commission to reduce residential energy use, curb greenhouse gas emissions and create more comfortable and healthy homes. For more information on Energy Upgrade California, visit

About Energy Upgrade California Roadshow

The Energy Upgrade California Roadshow is a mobile exhibit in a trailer designed to inform and inspire Californians to learn about and install energy-saving improvements in their homes. The Energy Upgrade California Roadshow is funded in part by the Department of Energy in support of the goals of its Better Buildings Neighborhood Program. It was built by CCSE, an independent nonprofit organization that accelerates the adoption of clean and efficient energy solutions, based in San Diego.

About the California Center for Sustainable Energy

The California Center for Sustainable Energy (CCSE) is an independent, nonprofit organization that accelerates the adoption of clean and efficient energy solutions via consumer education, market facilitation and policy innovation. For more information and workshop listings, visit or call (866) 733-6374.



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Chris Botti And His Band Return To Davies Symphony Hall To Perform With The San Francisco Symphony November 30 And December 1

Trumpeter Chris Botti <>  and his band return to Davies Symphony Hall to perform hits and holiday favorites with the San Francisco Symphony on Friday, November 30 and Saturday, December 1 at 7:30 pm.

Jazz trumpeter Chris Botti <>  performs material from his new album, Impressions, with his band and the Orchestra, conducted by Richard Kaufman.  Impressions expresses Botti’s love for rich, evocative melodies across a wide variety of genres, and includes music by Chopin, Gershwin, Harold Arlen, R. Kelly, Randy Newman, Bob Thiele and David Weiss, Ivan Lins, Astor Piazzolla, and Cesar Portillo de la Luz, standards “What A Wonderful World,’ “Summertime,” and “Over the Rainbow,” as well as a pair of songs co-written by Botti with Herbie Hancock and David Foster. Botti has sold more than three million solo records and recently performed on tour with Barbra Streisand.

Conductor Richard Kaufman has conducted for performers including John Denver, Andy Williams, the Beach Boys, Peter Paul and Mary, and Art Garfunkel. He has recorded with such artists as Burt Bacharach, Neil Sedaka, The Carpenters, and Ray Charles. In 1984, he became music coordinator for MGM Studios, where for eighteen years he supervised music for film and television.  Kaufman is Principal Pops Conductor of Orange County’s Pacific Symphony and in his eighth season with the Chicago Symphony Orchestra’s series Friday Night at the Movies.

Tickets are on sale now for Chris Botti with his band and the San Francisco Symphony at
<>, by phone at 415-864-6000, and at the Davies Symphony Hall box office on Grove Street between Franklin Street and Van Ness Avenue.

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The Marsh Second Annual Holiday Performance Bash

San Francisco!  Brian Copeland in The Jewelry Box…a GENUINE Christmas Story

Berkeley!  Big Bubbly Holiday Spectacle with Louis Pearl, The Amazing Bubble Man and Wavy Gravy and his Guided Mistletoes
(Surprise Guests May Fall By!)

The Marsh is proud to present its holiday line-up for 2012. We’re sorry to announce it a bit late in the day but we think it’s well worth waiting for!!

First, in San Francisco, Brian Copeland has a special Christmas story to share with the whole family about setting off into the “mean” streets of Oakland to buy his mom a Christmas present. A funny, heartwarming holiday story.

Then, on the other side of the Bay, in Berkeley, Wavy Gravy also has a story to share although we’re not actually quite sure what it is—something about Claude Rains Deer, or should that be Clawed Reindeer, and a vague mention of Insanity Claus. No matter, whatever it turns out to be, it’s Wavy Gravy, so we know it will be amazing. Also in Berkeley, there will be a Big Bubbly Holiday Spectacle with Louis Pearl, The Amazing Bubble Man. Spellbinding bubble tricks will keep every child and adult mesmerized with square bubbles, bubbles inside bubbles, fog-filled bubbles, giant bubbles, bubble volcanoes, tornados and trampolines to people inside bubbles. And now, just for The Marsh, he adds a big bubbly splash of holiday effervescence to top off the show, conjuring shrieks of laughter and gasps of amazement from all ages.

Finally, to cap it all off, there is our second annual Holiday Performance Bash in Berkeley —The Marsh Holiday Party—open to all—with a full bar, hot-mulled cider, cookies (plus, if all goes well, 144 mini kugels made by our artistic director, Stephanie Weisman) with holiday tales as told by a fantastic group of Marsh All Stars!

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Curry Senior Center Hosts Early Holiday Meals

Curry Senior Center will host the first of the holiday meals of the season a week early at the 333 Turk Street location.

“We always have our holiday meals early so our clients can enjoy the season for a full week according to Dave Knego, Executive Director of Curry.  “There are many competing holiday meals on Christmas Eve and Christmas Day, and we like to celebrate with our clients and volunteers early in the week.”

Curry expects over 250 participants at the December 17 holiday meal.   The meal will be traditional Thankgiving-type fare.  However, on December 20, there will be another celebration for approximately 100 clients who enjoy ethnic meals. At Curry, clients speak eight languages.

Entertainment will be provided by Bread and Roses, and sponsored by Project Open Hand.

WHO:          Over 250 Tenderloin Seniors

WHAT:        First Holiday Meal of the season

WHERE:      Curry Senior Center, 333 Turk (12/17) and 315 Turk (12/20)

WHEN:        December 17, 10 am – noon (2 separate seatings)

                   December 20 - 10am – 1 pm (3 separate seatings)





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SFMOMA Presents Work Of Influential American Architect Lebbeus Woods

Exhibition Spotlights Museum’s Deep Holdings of Woods’s Experimental Projects;

Commemorates Career of Provocative Visionary 

From February 16 through June 2, 2013, the San Francisco Museum of Modern Art (SFMOMA) presents Lebbeus Woods, Architect, bringing together 75 works from the past 35 years by one of the most influential architects working in the field. Recognized beyond architecture, Lebbeus Woods (1940–2012) has been hailed by leading designers, filmmakers, writers, and artists alike as a significant voice in recent decades. His works resonate across many disciplines for their conceptual potency, imaginative breadth, jarring poetry, and ethical depth. The exhibition features drawings and models from SFMOMA’s collection, along with key loans from other major design collections.

Woods worked cyclically, returning often to themes of architecture’s ability to transform, resist, and free the collective and the individual. As an architect whose work lies almost solely in the realm of the imagined, proposed, and the unbuilt, his contributions to the field opened up new avenues for exploring, charting, and inscribing space. Lebbeus Woods, Architect provides a thematic, rather than chronological, framework for understanding the experimental and timeless nature of Woods’s work. The exhibition is organized by SFMOMA Acting Department Head/Assistant Curator of Architecture and Design Jennifer Dunlop Fletcher and Assistant Curator of Architecture and Design Joseph Becker

“As the museum embarks on its own physical transformation, the exhibition marks an opportunity to consider the meaning and implication of such a shift,” says Dunlop Fletcher. “There could not be a more fitting body of work to present at this moment.”

As a collector of Woods’s work since the mid-1990s, SFMOMA has assembled the most in-depth institutional collection of his work to date. These works have become the crux of the museum’s architecture and design collection, which is revered for its holdings of experimental, conceptual, and visionary designs. In addition to a selection of SFMOMA’s works, Lebbeus Woods, Architect will include national and international loans from the Getty Research Institute; Museum of Modern Art, New York; and MAK Vienna, along with private collections.

Acknowledging the parallels between society’s physical and psychological constructions, Woods created a career-long narrative of how these constructions transform our being. Working mostly, but not exclusively, with pencil on paper, Woods created an oeuvre of complex worlds—at times abstract and at times explicit—that present shifts, cycles, and repetitions within the built environment. His timeless architecture is not in a particular style or in response to a singular moment in the field; rather, it offers an opportunity to consider how built forms can enhance or hinder individual thought and how a single individual can contribute to the development and mutation of the built world.

In 2011, Woods wrote: “In my work, architecture is meant to embody an ideal of thought and action, informed by comprehensive knowledge of the physical world.” The exhibition will explore Woods’s evolutionary thinking through the recurring themes in his projects, including the political, ethical, social, and spatial implications of built forms. Many of Woods’s projects addressed cities damaged by war, such as Zagreb and Sarajevo, or damaged by nature, as in the San Francisco earthquake drawings. Additional works considered political divisions of space, like in Havana, Berlin, or Jerusalem. Woods also explored alternative architectures, which could complement and provoke existing tropes, as seen in Nine Reconstructed Boxes (1999) and High Houses(1996), both in SFMOMA’s collection. And possibly further afield, Woods suggested entirely new approaches to organizing space, as seen in his Centricity (1987–88) and Conflict Space (2006) series.

“Perhaps unparalleled in his influence within the architecture discourse, the work of Lebbeus Woods holds a timeless significance that transcends the physical and verges on an architecture of intellect,” says Becker. “His legacy will continue to challenge the traditional notion of architecture and provoke the exploration of the vast potentials of the built environment.”


About Lebbeus Woods

Born in Lansing, Michigan, Woods studied at the Purdue University School of Engineering (1958–60) and the University of Illinois School of Architecture (1960–64). He worked for Eero Saarinen and Associates, and Kevin Roche John Dinkeloo Associates (1964–68) before moving into private practice. Woods concentrated on theory and experimental projects since 1976, exhibited, lectured, and published his projects worldwide, and wrote numerous articles of criticism about architectural practice and theory. Woods was a professor of architecture at Cooper Union, where taught until his death in 2012. His works are held in the collections of major museums internationally, including MoMA, the Whitney, MAK Vienna, and the Getty Research Institute. Woods’s projects and writing can also be explored in the archives of his blog at


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Cal Performances Presents Mark Morris’s Acclaimed The Hard Nut December 14–23 At Zellerbach Hall

“…something approaching a miracle…” (Washington Post) comes to Cal Performances’ Zellerbach Hall, Friday–Sunday, December 14–16 and Thursday–Sunday, December 20–23, as Mark Morris’s The Hard Nut returns to the Bay Area after a three year hiatus for the holidays. It is a festive reimagining of Pyotr Il’yich Tchaikovsky’s beloved Nutcracker ballet—with its tale of childhood hopes and fears, fairytale menace and life-renewing love that Morris sets in the 1970s. It features dancing Barbie dolls, go-go boots, G.I. Joe soldiers, leaping snowflakes, inspired gender-bending casting, 93 costume changes, over 60 set pieces and props including 20 lbs. of confetti for the “Waltz of the Snowflakes” scene, all set to Tchaikovsky’s glorious score. For the first time in Berkeley, Morris will take on the role of Dr. Stahlbaum/King. Sets and costumes for The Hard Nut are based on concepts of comic-book artist and illustrator Charles Burns and were designed by longtime MMDG collaborators Adrianne Lobel (sets), Martin Pakledinaz (costumes) and James F. Ingalls (lighting). Maestro George Cleve will conduct the Berkeley Symphony Orchestra in Tchaikovsky’s complete score and the Piedmont East Bay Children’s Choir, under the direction of Robert Geary, once again lend their voices. “Going back to The Hard Nut is like revisiting a dear old friend. You laugh at the foibles, rejoice at the triumphs and find delight in the familiar. You anticipate responses, but they still evoke laughter and even, occasionally, plunge you into a moment of reflection” (San Francisco Chronicle).

The Hard Nut premiered in Belgium in 1991; it was Morris’s farewell gift to his European hosts before stepping down as Director of Dance at the Théâtre Royal de la Monnaie, the national opera house of Belgium. The production was greeted with unanimous critical acclaim and uproarious applause. Cal Performances presented the West Coast premiere of The Hard Nut in December 1996 and has re-mounted the production often to rave reviews.

Several dancers return to familiar Hard Nut roles, including Lauren Grant (Marie), June Omura (Fritz), Jenn Weddel (Louise/Princess Pirlipat), John Heginbotham (Mrs. Stahlbaum/Queen) and Kraig Patterson (Housekeeper/Nurse). Dancers Aaron Loux and Billy Smith will perform the roles of Nutcracker/Young Drosselmeier and Drosselimeier respectively. Shawn Gannon, who danced with the company from 1995–2004, returns as one of the Party Guests in Act I and the Dentist in Act II. The rest of the Mark Morris Dance Group join the principals as Party Guests, Rat Soldiers, G.I. Joes, Snow, Suitors, Spaniards, Arabians, Chinese, Russians, Frenchmen and Flowers.

The work of comic book artist and illustrator Charles Burns is the basis for the production’s distinctive look.  Adrianne Lobel (sets), James F. Ingalls (lighting) and Martin Pakledinaz (costumes) are each longtime design cohorts of Morris’.  Lobel and Ingalls have collaborated with Morris on a number of works, including Handel’s L’Allegro, il Penseroso ed il Moderato and Purcell’s King Arthur.  Pakledinaz most recently designed the costumes for Morris’s Festival Dance in 2011.

George Cleve, who will guest conduct the Berkeley Symphony Orchestra, is the cofounder of the Midsummer Mozart Festival and has conducted orchestra nationally and abroad for over 20 years.  Robert Geary is the artistic conductor of the Piedmont East Bay Children’s Choir and together they have toured through the United States and performed in numerous music festivals such as the Oregon Bach Festival and Newport Music Festival.

Mark Morris was born on August 29, 1956, in Seattle, Washington. In the early years of his career, he performed with Lar Lubovitch, Hannah Kahn, Laura Dean, Eliot Feld and the Koleda Balkan Dance Ensemble. He formed the Mark Morris Dance Group in 1980, and has since created more than 130 works for the company. From 1988–1991, he was Director of Dance at the Théâtre Royal de la Monnaie in Brussels, the national opera house of Belgium. Among the works created during his tenure were three evening-length dances: The Hard Nut; L’Allegro; il Penseroso ed il Moderato and Dido and Aeneas. In 1990, he founded the White Oak Dance Project with Mikhail Baryshnikov.

Morris is also much in demand as a ballet choreographer.  He has created eight works for the San Francisco Ballet since 1994 and received commissions from American Ballet Theatre and the Boston Ballet, among others both nationally and internationally.  Morris is noted for his musicality and has been described as “undeviating in his devotion to music” (The New Yorker).

Most recently Morris has been awarded the Benjamin Franklin Creativity Laureate Award (2012) and Leonard Bernstein Lifetime Achievement Award (2010). He is the subject of a biography by Joan Acocella (Farrar, Straus & Giroux) and Marlowe & Company published a volume of photographs and critical essays entitled Mark Morris’ L’Allegro, il Penseroso ed il Moderato: A Celebration.  He also has received 11 honorary doctorates including a recently from the Cornish School of Arts in 2011.

The Mark Morris Dance Group was formed in 1980 and gave its first performance that year in New York City. Based in Brooklyn, New York, the company has maintained and strengthened its ties to several cities around the world, most notably its West Coast home Cal Performances. The group first came to Cal Performances in 1987, and has returned every year since 1994. Visits to Zellerbach Hall include world premieres and West Coast premieres such as Socrates (2010), Romeo & Juliet, On Motifs of Shakespeare (2008), Mozart Dances (2007), King Arthur (2006) Candleflowerdance (2005), Rock of Ages (2004), All Fours (2003), Something Lies Beyond the Scene (2003) and Kolam (2003). More information about Mark Morris and MMDG can be found at

Tickets for The Hard Nut Friday–Sunday, December 14–16 and Thursday–Sunday, December 20–23 in Zellerbach Hall range from $30.00– $110.00, subject to change. Tickets are available through the Ticket Office at Zellerbach Hall; at (510) 642-9988; at; and at the door.  Half-price tickets are available for UC Berkeley students. UC faculty and staff, senior citizens, other students and UC Alumni Association members receive a $5.00 discount (Special Events excluded). For select performances, Cal Performances offers UCB student, faculty and staff, senior, and community rush tickets. For more information about discounts, go to or call (510) 642-9988.

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San Francisco City Hall & Seven Other Historic Civic Center Buildings File For LEED Certification

Mayor Edwin M. Lee today at the U.S. Green Building Council Greenbuild International Conference and Expo being held at the Moscone Convention Center announced that the City and County of San Francisco has filed for LEED (Leadership in Energy and Environmental Design) certification for eight buildings in San Francisco’s Historic Civic Center District. The LEED application for Existing Buildings Operations and Maintenance category includes over 2.2 million square feet of civic real estate for San Francisco City Hall, Louise M. Davies Symphony Hall, San Francisco Main Library, Asian Art Museum, Bill Graham Civic Auditorium, Department of Public Health Headquarters, War Memorial Opera House and War Memorial Veterans Building.

“San Francisco is pioneering sustainability for the rest of the world by demonstrating how cities can transform historic areas like our own Civic Center into sustainable resource districts through the use of advanced energy efficiency and water conservation technologies,” said Mayor Lee. “This investment in the first-of-its-kind Civic Center Sustainability District will create a model for the nation in building greener cities.”

Once LEED certified, the Civic Center retrofit strategies and technologies will showcase San Francisco’s environmental stewardship and innovative leadership while providing real results for other cities to replicate across the world. Three buildings – City Hall, Main Library and Davies Symphony Hall – have a goal of achieving LEED Gold certification. The other remaining Civic Center buildings need to complete retrofits before LEED certification goals can be determined.

San Francisco’s already impressive track record within the Civic Center Historic District includes 525 Golden Gate, the San Francisco Public Utilities Commission’s (SFPUC) new headquarters. 525 Golden Gate is one of the greenest office buildings in North America and it will be one of the few San Francisco buildings to earn LEED Platinum status for new building construction and design.

As the City’s municipal water, power and wastewater service provider, the SFPUC funded and managed the energy efficiency retrofits and water conservation upgrades within the Civic Center Sustainability District, making the LEED application filings possible. The SFPUC also will fund and manage the LEED certification process on behalf of the City and County of San Francisco

“San Francisco has overcome the limitations and challenges of a historic Civic Center district and paved the way for cities like ours to continue addressing global climate change,” said SFPUC General Manager Harlan L. Kelly, Jr.

Realizing San Francisco’s Vision for a Civic Center Sustainability District
The new LEED filings represent a significant step towards fulfilling the partnership that San Francisco forged with the former President Bill Clinton and the Clinton Global Initiative (CGI) to transform San Francisco’s Civic Center into a first-of-its-kind sustainable resource district.

To that end, San Francisco built one of the greenest office buildings in North America in Civic Center Plaza at 525 Golden Gate Avenue. San Francisco is also conducting ongoing energy efficiency upgrades for many of the buildings throughout Civic Center Plaza; water conservation upgrades are also being implemented for the same buildings. Additionally, the City has completed initial physical improvements to the Civic Center Sustainability District while promoting resource efficiencies, such as electric vehicle charging stations, free Wi-Fi, and art installations; partnered with a national organization to establish a community urban agriculture garden; created cultural corridors and economic development; utilized federal stimulus funding for a green transformation of an existing key building on the United Nations Plaza, all while providing jobs locally.



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