THROUGH THE LENS OF DAVID TOERGE
Steel workers erect the skeleton of the new Federal Building in downtown SF. photographed January 29, 2004.
The new federal building sits on the corner of Mission and 6th streets but its visual impact is felt from many blocks around.
It sits there, a cold unfeeling building much like the bureaucracy contained within it’s walls. It seems omnipresent, like the federal government it houses, always there and always watching over it’s people.
Thom Mayne, an LA architect has built a rather impressive structure commissioned by the General Services Administration with a decade old program conceived to eliminate boring, tired, and unimaginative federal buildings across the country. The problem, in my opinion, is that he went way too far in “trying to be imaginative” and doing things for sake of being creative.
The perforated metal skin that covers one half of the south facing side looks like the screen door of an Appalachian shack. I can’t wait to see it in ten years. On the north side, there are vertical, skinny panes of green glass jutting out perpendicular to the actual windows.
Those windows actually open too, a rarity in modern office buildings. Too bad that the view is that of sixth street also known affectionately as the “wine country”. On a good note, the “ Mayne attraction” is very eco-friendly. Gentle breezes flow through the building eliminating the need for air conditioning and the steel panels on the exterior act like a warming blanket enveloping the entire structure.
It just seems to be like the city’s sore thumb building visible from everywhere. Of course, this architectural marvel (said with a slightly sarcastic tone) will soon be completely outdone when those HUGE green glassed towers are completed. It’s beginning to look a lot like Kuala Lumpur in this city. Didn’t there used to be a height limit here?
The Thom Mayne federal building has become an obsession with me. It has turned into a love-hate relationship.
I have tried to photograph it from every conceivable angle but the light is rarely good on it and the security guards don’t like me taking pictures fearing me to be some kind of terrorist. No, not me. I just hate your building. No, I love your building. No, I’m just confused just like they want me.
THE SAN FRANCISCO WAY OF A SUNNY DAY APRIL 28 2007
If you found yourself wondering where all the people were on Saturday -A great many could be found enjoying the beautiful weather in Dolores Parkwith a City view to match.
Someone who prefers the shade in the hammock gets a helping hand from another tree dweller.
HOBART BUILDING A SAN FRANCISCO JEWEL APRIL 26 2007
The HOBART building on Market at Montgomery was designed in 1914 by Willis Polk the leading architect in San Francisco after the Great Quake of ’06. He designed mostly residences with this building being one of his only office structures. Today, it is surrounded by it’s contemporaries but is still seen as a jewel today and is also a national landmark.
GOLDEN GATE PARK EASTER LILY GOOD FRIDAY 2007
SPRINTIME FOR PARROTS OF THE SAN FRANCISCO EMBARCADERO
SUNSET BREAKS THROUGH RAINY DAY AT OCEAN BEACH
When David Toerge left a career in photojournalism that had spanned over twelve years and started in a new direction of commercial photography he blended the editorial style with a more corporate look. David led the way in that new style garnering many awards for his work. Communications Arts has honored him over six times. Based in San Francisco, David shoots projects on location all over the US for various corporations and a multitude of magazines and always brings back great images. He has a keen sense of light, color, and composition and delivers to his clients assignments done with passion. He has climbed bridges hundreds of feet in the air, shot in caves hundreds of feet below, dived with sharks and driven the track with Indy drivers. He has shot earthquakes and firestorms but loves walking the streets with his camera just photographing the everyday life of his city. Visit Toerge Photography at toerge.com, email email@example.com, or telephone 415-730-3824